Noten für Sinfonieorchester

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

During the semi-retirement from his long service as Kapellmeister to the Esterházy family, Franz Joseph Haydn (1732-1809) was tasked with composing a Coronation Mass for the wife of his patron, Prince...

Die ursprüngliche Vertonung des "Tui sun coeli" aus Psalm 88 (Vulgata) V. 12, 15a für Chor und Keyboard wurde von Franz Joseph Haydn (1732-1809) zwischen 1796 und 1799 vollendet. Alternative Titel sin...

Die ursprüngliche Vertonung des "Tui sun coeli" aus Psalm 88 (Vulgata) V. 12, 15a für Chor und Keyboard wurde von Franz Joseph Haydn (1732-1809) zwischen 1796 und 1799 vollendet. Alternative Titel sin...

Die ursprüngliche Vertonung des "Tui sun coeli" aus Psalm 88 (Vulgata) V. 12, 15a für Chor und Keyboard wurde von Franz Joseph Haydn (1732-1809) zwischen 1796 und 1799 vollendet. Alternative Titel sin...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

Wolfgang Amadeus Mozart (1756-1791) composed the sacred choral work Veni Sancte Spiritus (Come, Holy Spirit), K. 47 in 1768, at the age of 12. As Mozart added the subtitle "Offertorium," it is clear t...

The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...

The sublime Ave Verum Corpus, K. 618 was composed by Wolfgang Amadeus Mozart (1756-1791) in June of 1791 for his friend Anton Stoll, and it premiered on June 23 of that year at St. Stephen's church in...

The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...

The MASS IN C, K. 220/196b, often referred to by the nickname "Spatzenmesse" or "Sparrow Mass" due to the violin figure in the Hosanna of the Sanctus that recalls the chirping of birds, is Mozart's 9t...

Regina Caeli in C Major, K. 276 by Wolfgang Amadeus Mozart (1756-1791) was written ca. 1779 during the composer's time at the Salzburg Cathedral. The third of three settings of the Marian antiphon Reg...

Wolfgang Amadeus Mozart (1756-1791) completed his Mass No. 15 in C, K. 317 on March 23, 1779 after a period of seeking for employment in places such as Paris and Mannheim. Failing that, Mozart's fathe...

VESPERAE SOLENNES DE CONFESSORE (Feierliche Vesper für einen Bekenner), das letzte Werk, das Mozart für den Salzburger Dom komponierte, trug ursprünglich nicht den Titel "de confessore", der später vo...

This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...

This arrangement for orchestra for Three Songs (Drei Lieder) by Johannes Brahms (1833-1897) has been completed by Willy Weide (1880-1910). Songs included: 1. Liebestreu (True Love), Op. 3, No. 1; 2. W...

Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...

Wolfgang Amadeus Mozart (1756-1791) began composition of his Great Mass in C minor, K. 427/417a in 1782 as a promise to himself to write a major work for his native Salzburg. This period was shortly a...

This wonderful, short choral masterpiece has a confusing heritage.  Spuriously attributed in 1910 to Giovanni Battista Pergolesi (1710-1736), the six-movement MAGNIFICAT was actually composed by...

Dieses wunderbare, kurze Meisterwerk für Chöre hat ein verwirrendes Erbe. Das sechssätzige MAGNIFICAT, das 1910 fälschlicherweise Giovanni Battista Pergolesi (1710-1736) zugeschrieben wurde, wurde tat...

This is the second of six Masses composed by Franz Schubert (1797-1828), also referred to frequently as the "Mass in G," and it remains the best known of the three shorter settings titled "Mass." Comp...

While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...

While it scandalized Parisian audiences at its premiere by the Opéra-Comique in Paris on March 3rd, 1875, Georges Bizet's (1838-1875) Carmen became, a mere decade later, one of the most popular and fr...