Oliver Knussen
Flourish With Fireworks op. 22
for large Orchestra - Score
Oliver Knussen
Flourish With Fireworks op. 22
for large Orchestra - Score
- Besetzung Orchester
- Ausgabe Partitur
- Komponist Oliver Knussen
- Verlag Faber Music
- Bestell-Nr. 0571514596
inkl. MwSt.,
zzgl. Versand
Voraussichtliche Lieferung zwischen
18.11.2026
und
23.11.2026.
Beschreibung:
... creates a shimmering tapestry of sound that ranges satisfyingly wide within a brief-span - a fine display piece for conductor and every section of the orchestra. The Guardian, 17 September 1988
Instrumentation: 4(IV=picc).2.ca.4.2.cbsn – 4331 – timp – perc(4): 2 susp.cym/glsp/3 wdbl/tam-t/BD/tgl/TD/vib/spring coil/whip/SD – harp – cel(=keyboard glsp ad lib) – strings (min 12.10.8.6.6)
Flourish with Fireworks, written in August and September 1988, is neither more nor less than its title implies – a two-minute celebratory ‘opener’ for Michael Tilson Thomas’ first season as principal conductor of the London Symphony Orchestra. But it is, therefore, a triple homage: to Michael, who has been a close and supportive friend to me and my music for 18 years, since we met backstage at his British debut with the LSO and subsequently at Tanglewood in 1970; to the LSO itself – the orchestra which was ‘home’ to me as a child, when my father was principle double bass and Pierre Monteux the principal conductor, and was later the first major orchestra to play my music in public; and lastly to Stravinsky, a composer for whom Michael Tilson Thomas and I have shared a special affection. The ‘Fireworks’ of the title are Stravinsky’s earlier ones, and the music is built form the initials of the LSO (A, E-flat, G) and MTT (E, B, B) subjected to constant variation, sometimes of a kind now unknown to the later Stravinsky.
Oliver Knussen
Instrumentation: 4(IV=picc).2.ca.4.2.cbsn – 4331 – timp – perc(4): 2 susp.cym/glsp/3 wdbl/tam-t/BD/tgl/TD/vib/spring coil/whip/SD – harp – cel(=keyboard glsp ad lib) – strings (min 12.10.8.6.6)
Flourish with Fireworks, written in August and September 1988, is neither more nor less than its title implies – a two-minute celebratory ‘opener’ for Michael Tilson Thomas’ first season as principal conductor of the London Symphony Orchestra. But it is, therefore, a triple homage: to Michael, who has been a close and supportive friend to me and my music for 18 years, since we met backstage at his British debut with the LSO and subsequently at Tanglewood in 1970; to the LSO itself – the orchestra which was ‘home’ to me as a child, when my father was principle double bass and Pierre Monteux the principal conductor, and was later the first major orchestra to play my music in public; and lastly to Stravinsky, a composer for whom Michael Tilson Thomas and I have shared a special affection. The ‘Fireworks’ of the title are Stravinsky’s earlier ones, and the music is built form the initials of the LSO (A, E-flat, G) and MTT (E, B, B) subjected to constant variation, sometimes of a kind now unknown to the later Stravinsky.
Oliver Knussen
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