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Five Bagatelles were written for Julian Bream and dedicated to Malcolm Arnold 'with admiration and affection for his 50th birthday'. They were given their first performance in Bath on 27th May 1972.

This is a vibrant and varied choral cantata in five movements. Together the movements evoke a contemporary impression of London's sights, sounds, and moods. The music is irresistible, by turns contemp...

This is a new original setting of the well-known Christmas text. With a gentle melody, warm harmonies, and a graceful organ accompaniment, Infant Holy will make a moving feature in any mixed-voice cho...

This moving cantata draws on biblical texts associated with Sir Ernest Shackleton, his 1916 Antarctic Expedition, and Rupert Brooke. With lustrous harmonies and a poignant tenor solo, it offers choirs...

The three movements of A Winter Breviary are entitled: 'We look for you', 'The year's midnight', and 'The unexpected early hour'. The movements are each based on an Indian classical Raag and reflect u...

McDowall has skilfully united luscious harmonies with fresh melodies and crisp rhythms in this vibrant work. Divided into six movements, the Magnificat is ideal for SATB choirs seeking fresh and inspi...

A haunting and evocative piece, this short anthem is based on a traditional Gaelic prayer of remembrance. Uncluttered harmony and a simple, gentle melody colour this memorial service setting with a pa...

This innovative and moving setting of Robert Herrick's popular Christmas text opens with an uplifting unison melody, and each verse introduces new vocal textures and increasingly expressive harmonies....

The Prelude and Fugue in C minor (1921) is characterized by a sense of drama and punctuated by bristling dissonances. The Prelude's ritornello-like alternation of chordal grandeur and rapid imitative...

O fear the Lord sets two verses from Psalm 34. A controlled organum-style opening gives way to a more fervent, harmonic middle section. An approachable and beautiful piece.

This a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong and is available here in German translation.

Setting inspiring words by James Weldon Johnson, My heart be brave is an ideal choice for choirs looking to address issues of social justice in their programming. Also available in mixed- and lower-vo...

This is a substantial setting of the canticles of Mary and Simeon, suitable for both concert and liturgical settings The choral writing features fugal counterpoint and a chromatic soundworld rooted ar...

The polyphonic writing in this joyous motet for Eastertide includes both rhythmic and melismatic passages to reflect the celebratory text. The piece concludes with a brief section in triple metre, and...

Snow Angel is an evocative five-movement work exploring themes of love, rebirth, and beauty. It may be performed with narration and features a haunting cello line. The emotive and pictorial musical la...

Three songs make up this cycle entitled Western Songs - 'Buffalo Gals', 'Green Grow the Lilacs', and 'Ol' Chisholm Trail'. The arrangements by turn spin contrapuntal and antiphonal textures then relax...

Truly uplifting and appropriately joyful, this carol is ideal for a Christmas service or concert. Instrumental material is available on hire.

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

The strong homophonic opening of this motet, in honour of St Michael the Archangel, the defender in battle against all things evil, makes an impactful statement, before exploring the intricate weaving...

Ante luciferum genitus is the first antiphon of Lauds for the Feast of the Epiphany and culminates with cascading, descending 'alleluia's. Originally scored for lower voices, the motet is presented he...

Likely to date from the early part of the composer's career, this motet has a relentlessly dense texture, but the clever use of well-shaped phrases and dynamics, informed by the text, leads to an exci...

Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...