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This affectionate love song sets words by American poet Paul Laurence Dunbar. Featuring a bright piano part, clever use of syncopation, and a powerful melody, this song is sure to become a favourite o...

These arrangements of two keyboard sonatas by Scarlatti are stylish and approachable. The first sonata is vivacious and dance-like and the second is slower, more restrained and melodic in character wi...

In this classic Rutter anthem the flowing choral melodies perfectly complement the positive message of the well-known thanksgiving text by F. S. Pierpoint, presented here in German translation.. The o...

Well-known in Wilhousky's adaptation ('Carol of the Bells'), Leontovych's arrangement of 'Schedryk' has here been translated into English by John Rutter. The original Ukrainian text is also included,...

Philip Moore's arrangement of What child is this? sets the original Greensleeves melody over a supportive and expressive organ accompaniment. Moore's rich harmonic language drives the piece towards it...

Set to the text of a 12th-century Sequence in honour of the martyr St Olav and characterized by a mellifluous plainchant-style melody, this glorious motet pulses with understated intensity. The openin...

This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century...

This anthem was commissioned for the Enthronement of the 105th Archbishop of Canterbury, the Most Reverend and Right Honourable Justin Welby, in March 2013. The vocal lines are simple, flowing, and em...

Set of parts for John Rutter's joyful, sprightly carol Rejoice and sing!, which has been offprinted from Sir David Willcocks: A Celebration in Carols.

Originally published as the fifth movement in the large-scale work The Gift of Life, this is a pleasingly optimistic anthem in Rutter's gloriously uplifting style.

From the collection Bob Chilcott Carols 2, 'Away in a Manger' is Chilcott's arrangement of the familiar carol melody by W. J. Kirkpatrick, scored for SATB and piano. Featuring an original counter melo...

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's When Icicles Hang. This set contains: 1 x fl 1, 1 x fl 2, 1 x hp, 1 x hpschd, 4 x v...

From the collection Mack Wilberg Carols, this tender, gentle arrangement of the popular Austrian carol has two simple vocal lines (one for women and one for men), supported by a steady, rich piano acc...

Set of parts for the brass accompaniment to John Rutter's I will worship the Lord.

This uplifting Christmas carol demonstrates Rutter's gift for writing engaging and memorable tunes. This set contains the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x vc, 1 x db. Both t...

This is a moving arrangement of the familiar passage from the Book of John. Larsen takes an original melody and arranges beautiful harmonies underneath with delicate suspensions. This is a rewarding a...

From the collection Mack Wilberg Carols, 'The Virgin Mary had a baby boy' is Wilberg's spirited arrangement in calypso style of the traditional West Indian carol, scored for SATB and piano. A version...

This pleasingly optimistic anthem was originally published as the fifth movement in the large-scale work The Gift of Life. Arranged here for SAB and piano as in the collection Rutter Anthems for SA an...

O Gracious Light is a tender and reflective work setting an English translation of a Greek third-century text. With rich, four-part harmonies and flowing melodic lines, this intimate work will be enjo...

This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of Rutter's cycle When Icicles Hang. Here, it has been specially adapted for TTBB choir by the compo...

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, has been specially adapted by the composer for tenors and basses.

This work was written around 1940, placing it near the beginning of a series of Clarke's late compositions. It both looks forward to her lean, linear, avowedly modern conceptions and backwards to work...

Michael Higgins' arrangement of How can I keep from singing? is a calm and flowing reimagination of Robert Lowry's well-known melody. Flexibly arranged, with options for an unaccompanied section and d...