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The five-part motet Cum pervenisset beatus Andreas is almost unique in the voci pari repertoire, with notation presented using five treble clefs.

A hoe-down in party mood. No. 1 of Three American Lyrics

This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, a...

This is a beautiful piece setting an evocative text by Anne Brontë that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment, Quartel's soari...

A short and simple anthem which is full of hope and warmth.

This arrangement was commissioned for the Last Night of the Proms 2006. It is compatible with the SATB version in The Bob Chilcott Songbook; the two arrangements can be sung together. Orchestral mater...

The Face of Peace is a beautiful setting (to an English translation) of verses by the French poet Paul Eluard, written in 1951. Chilcott combines the gentleness of the poem's vision with a cast-iron s...

This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now...

This vibrant and rhythmic carol sets the traditional French carol text and includes an English singing translation. It is a perfect option for good amateur and professional choirs.

This gentle song is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital on London's South Bank. With a singabl...

This meditative anthem sets words from Isaiah. The overlapping phrases of the sopranos, which float above the sustained organ accompaniment, move gently to a warm climax in the central section. This i...

This joyful Lenten anthem sets George Herbert's well-known hymn 'King of glory, King of peace'. Chilcott skilfully weaves the hymn tune 'Gwalchmai', to which this hymn is commonly sung, into the middl...

This captivating carol with words by Kevin Crossley-Holland features satisfyingly rich harmonies and a rippling piano accompaniment that draws inspiration from the water imagery of the text. In the mo...

This piece is a lyrical setting of words by the metaphysical poet Thomas Traherne (1637-74). With a rippling piano accompaniment, melodious vocal lines, and warm harmonies, Chilcott's setting captures...

A chorus from Alexander's Feast.

This is a beautiful, simple, and memorable tune supported by a distinctive organ ostinato in 5/8 time. It combines all the immediacy and freshness of a folksong with the deep spiritual sincerity of an...

Here is perfect material for youth choirs on the look-out for something that is both light-hearted and sophisticated. The delicious words of the original 17th-century love poem have been cleverly subv...

'London Bells', the third movement from Bob Chilcott's Songs and Cries of London Town, is an energetic and vibrant arrangement of the traditional 'oranges and lemons' rhyme. It is presented here as a...

This is a glorious and luminescent setting of verses from Isaiah 60. Rutter captures perfectly the essence of the text, the music moving through bold determination to quiet reflection before coming to...

This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text's images are apparent in the music. The violin part contributes m...

Wilberg sets the Eleanor Farjeon text to the traditional Gaelic melody in 9/8 meter. Against a lightly bouncing accompaniment, the women and men alternate singing in unison, until they join in verse t...

A wonderful processional, Wilberg's Bring a torch, Jeanette, Isabella is a joyful carol. A catchy, brightly articulated countermelody distinguishes this from other settings. The women sing alone, then...