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'Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. The song has an exuberant, carefree energy, expressing the freedom to walk wherever you choose and to make your own path...
'Ya basta!' is a Spanish saying that roughly translates to 'Enough is enough!'. The song has an exuberant, carefree energy, expressing the freedom to walk wherever you choose and to make your own path...
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Full score and set of parts for John Rutter's Blake's Lullaby, which was written in aid of MacMillan Cancer Support. This set includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x v...
Full score and set of parts for John Rutter's Blake's Lullaby, which was written in aid of MacMillan Cancer Support. This set includes the following string parts: 4 x vln I, 4 x vln II, 3 x vla, 2 x v...
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This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lo...
This anthem juxtaposes the words of the Antiphon for the Washing of Feet on Maundy Thursday with John Boyle O'Reilly's poem 'A White Rose'. Jackson combines lyrical polyphonic phrases for upper and lo...
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A homely text by Joyce Kilmer is the starting-point for this gorgeously expressive ballad for choir and piano. Offprinted from Carols for Choirs 6.
A homely text by Joyce Kilmer is the starting-point for this gorgeously expressive ballad for choir and piano. Offprinted from Carols for Choirs 6.
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Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons.
Gallant's take on this Acadian folksong is lively and engaging, featuring the quintessential elements of the tradition: podorythmie (seated foot-tapping), diddlage (mouth music), and the spoons.
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A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.
A beautiful 6-part unaccompanied Marian motet written for the Marian Consort. The work combines reminiscences of Renaissance settings of this text with McDowall's distinctive contemporary voice.
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This is an adaptation of music from Act 4, Scene 1 of The Pilgrim's Progress so that it may be performed in concert. Recorder, flute, or clarinet may be incorporated in the piano accompaniment as indi...
This is an adaptation of music from Act 4, Scene 1 of The Pilgrim's Progress so that it may be performed in concert. Recorder, flute, or clarinet may be incorporated in the piano accompaniment as indi...
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This is a reworking of material from Berkeley's 1979 Violin Sonata, and is an evocative and atmospheric single movement. Veilleuse means 'Night Watch' or 'Night Lantern', and the music has a slightly...
This is a reworking of material from Berkeley's 1979 Violin Sonata, and is an evocative and atmospheric single movement. Veilleuse means 'Night Watch' or 'Night Lantern', and the music has a slightly...
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This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Also available in a version for SSA una...
This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Also available in a version for SSA una...
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Out of your sleep is a fresh-sounding Advent carol rich in rhythmic variation and subtle detail. Written for the Choir of King's College, Cambridge, the carol provides opportunities for the choir to s...
Out of your sleep is a fresh-sounding Advent carol rich in rhythmic variation and subtle detail. Written for the Choir of King's College, Cambridge, the carol provides opportunities for the choir to s...
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Flowing and expressive, this is one of Vaughan Williams's most popular and beautiful motets.
Flowing and expressive, this is one of Vaughan Williams's most popular and beautiful motets.
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As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the p...
As is typical of Finnissy, this piece is demanding for the performers. The tempo is slow and much of the music of the upper two parts consists of sustained notes, with more movement occurring in the p...
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This is a profound setting of a selection of poems by Wilfred Owen. The sense of human connection and imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, wh...
This is a profound setting of a selection of poems by Wilfred Owen. The sense of human connection and imagery of the natural world imbued in Owen's poetry is perfectly conveyed in Chilcott's music, wh...
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Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant.
Palestrina's setting of the Marian motet Alma Redemptoris Mater seamlessly interweaves each of the four independent voices based on the solemn tone of the corresponding chant.
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This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...
This original composition combines several traditional proverbs (Good things come to those who wait, What goes up..., Where there's a will...), a quirky melody, a laid-back swing feel, a whispering se...
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Down the Silver Road is a comforting and uplifting setting of the poem To F.W. by Edith Franklin Wyatt, which describes the joy of growing old with a companion.
Down the Silver Road is a comforting and uplifting setting of the poem To F.W. by Edith Franklin Wyatt, which describes the joy of growing old with a companion.
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In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...
In a style influenced by Vaughan Williams and Finzi, this work evokes a reflective and sometimes other-worldly atmosphere. The seven movements may be sung as individual pieces. The text is in Latin fo...
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This gentle and enchanting carol, set to a poem by Elizabeth Jennings, began life as the fourth movement of Chilcott's Christmas cantata, 'And Peace on Earth'. Chilcott's sublime melodic writing and s...
This gentle and enchanting carol, set to a poem by Elizabeth Jennings, began life as the fourth movement of Chilcott's Christmas cantata, 'And Peace on Earth'. Chilcott's sublime melodic writing and s...
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This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...
This enchanting setting of a text by Bishop Timothy Dudley-Smith is a welcome addition to the carol repertoire. With its endearing yet straightforward melody, it has broad appeal and is suitable for c...
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Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...
Setting Joseph Addison's text, Jackson explores the use of vivid imagery the poem provides through this dramatic medium. Rather than using the full forces of choir, brass and organ throughout, the pie...
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The opening verse for solo soprano gives way to an enchanting and imaginative setting of the beloved carol In the bleak mid-winter. Offprinted from Carols for Choirs 6.
The opening verse for solo soprano gives way to an enchanting and imaginative setting of the beloved carol In the bleak mid-winter. Offprinted from Carols for Choirs 6.
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This consists of two pieces, played in an order the performer chooses. The number five, closely related to the nature of the zortziko, a Basque dance in 5/8, has been applied to several musical parame...
This consists of two pieces, played in an order the performer chooses. The number five, closely related to the nature of the zortziko, a Basque dance in 5/8, has been applied to several musical parame...
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Spring Rounds is a significant work that is rich in variety and orchestral colours. Jackson has selected texts by a multiplicity of authors, from the seventeenth-century poet Thomas Carew to contempor...
Spring Rounds is a significant work that is rich in variety and orchestral colours. Jackson has selected texts by a multiplicity of authors, from the seventeenth-century poet Thomas Carew to contempor...
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Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit’s sake'. Quartel's musical structure complements...
Refuge sets a powerful Sara Teasdale poem that perfectly captures the healing power of singing: 'For with my singing I can make a refuge for my spirit’s sake'. Quartel's musical structure complements...
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