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From the collection Jazz in Springtime, 'Flores' is an intermediate level, contemporary jazz-waltz by celebrated jazz pianist Nikki Iles. Inspired by Miles Davis and Chick Corea, and with a written-ou...

The first section of this original carol by Rosephanye Powell is composed in the style of an African-American spiritual, following a call-and-response pattern, while the second section is in a jubilan...

The work explores both conventional Sonata forms and the flexibility of performance practice for which Finnissy is renowned. The piece was designed to interact with some of the materials of the first...

Immanúel oss í nátt meditates on the birth of Christ with harmonies of increasing richness before ending with echoes of the opening motif. An English text by Bob Chilcott is presented alongside the or...

Commissioned by Benenden School, Make We Merry is an eight-movement piece which sets texts from the 15th to 19th centuries to a variety of choral textures with a highly characterful accompaniment. A v...

Sarah Quartel brings a fresh take on a familiar fifteenth-century text in this enchanting carol. The dialogue between Mary and the infant Jesus is woven to a beguiling folk-like melody, in 6/8 metre,...

The Blackbird is a beautiful arrangement of a Welsh folksong. It sets the folksong in an English translation by Margery Hargest Jones.

Gloss could be considered a companion piece to Random Girl (also for oboe and vibraphone), although it is rhythmically more formal and more restrained melodically.

Written for the Birmingham Schools Recorder Sinfonia, this engaging work is suitable for amateur performers. The mixed compound time signatures introduce some learning opportunities, while the melodic...

The Orgelbüchlein Project is a long running project to complete Bach's unfinished collection of organ music. McDowall has composed music for 'ghost' Chorale 119 (336) BWV 258 as her contribution to co...

Inspired by four poems by poets from the Chinese Tang dynasty, this piece directly combines Chinese and Western musical traditions. An undercurrent of tranquil meditation runs through the expressive w...

It evokes a mysterious, icy landscape, with a simple quiet tune and slowly rocking chords. It is No. 2 of a suite of three songs, 'At the Turn of the Year', depicting scenes of winter.

This piece takes its inspiration from the Chinese legends of great bells which spontaneously ring without being struck. It requires a variety of interesting techniques from the performer, including st...

The Flea was commissioned as a work 'suitable for singing in an informal setting and easily memorised'. It is a free and humorous setting of John Donne's poem in which the poet attempts to seduce his...

Sacred and hallowed fire was commissioned by Harrison & Harrison as part of their 150 years celebration of organ building. It is one of a trilogy of works for organ by McDowall which draws from the po...

Winter: My Secret is a setting for soprano, recorder, cello, and harpsichord of a poem by Christina Rossetti. It was commissioned by the Ida Carroll Trust for a concert to mark the 80th birthday of Ho...

This four-movement suite for organ is based on the divisions of the church year, and references plainsong and other hymns relevant to the seasons. Drawing on a wide range of colours and textures, the...

This strikingly effective carol for alto solo and a cappella choir combines verse by Robert Louis Stevenson with an ancient Latin antiphon text in music of great spaciousness and lyricism. Offprinted...

This setting of three stanzas from 'For the Fallen' is poignant and atmospheric. A serene refrain for unison voices is interposed between evocatively turbulent passages for SATB choir. The accompanime...

Setting an invigorating Easter text from the Song of Songs, this episodic anthem is full of expressive passages and lyrical melodies. The canonical soprano parts are echoed in the lower voices, contri...

Field Notes is a compact, one-movement piece of chamber music scored for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally betwee...

This continuous cycle (c.16 minutes without narrator, c.24 with narrator) intersperses seven poems by R. S. Thomas with seven movements for solo cello. The music is evocative, moving, and thoughtfully...

Jackson employs his signature harmonies and descriptive working of the text within an expansive polyphony to create a large-scale expressive anthem to the Blessed Virgin Mary.