Per Nørgård
En Lys Time / A Light Hour
Per Nørgård
En Lys Time / A Light Hour
- Besetzung Percussion
- Komponist Per Nørgård
- Ausgabe Einzelstimme
- Verlag Edition Wilhelm Hansen
- Bestell-Nr. WH30964
Lieferzeit 2-4 Wochen
Beschreibung:
Per Norgard's En Lys Time / A Light Hour (2009) for a variable Percussion Ensemble (min. 10 players).
In A Light Hour everything - rhythms and motifs - isbased on Norgard´s special infinity series.
Parts available: WH30964A
Programme note
A Light Hour is for 'any number of percussion musicians' (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musician uses twosoundsources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments - vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like.
The work integrates and combines a number of rhythms that Norgard has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), andpercussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III.
Special 'tone-feasts' (the composer's term) - followed by a rest - are anrecognizable
melodic feature of the work. : the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with atone-feast of four minutes (and a rest) - and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over...).
The first 15 minutes have a bright, light characterthroughout, and alternate between
rhythms and melodic play. The following 15 minutes are more insistent and decidedly
percussion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the
In A Light Hour everything - rhythms and motifs - isbased on Norgard´s special infinity series.
Parts available: WH30964A
Programme note
A Light Hour is for 'any number of percussion musicians' (but a minimum of ten). The duration is about 60 minutes. The instrumentation is in principle open, as long as percussion is used within the three types specified in the score: skin, metal and wood. Each musician uses twosoundsources with two different sounds, one of which is bright (or light) and the other dark. Certain passages also include tuned percussion instruments - vibraphone, xylophone, marimba, gamelan, glockenspiel, steel drums, crotales and the like.
The work integrates and combines a number of rhythms that Norgard has used in percussion works since the 1970s, for example in Early Spring Dance (for choir and percussion), andpercussion works like I Ching, Easy Beats, Whirls, Zigzag, Nemo Dynamo and Echo Zone I-II-III.
Special 'tone-feasts' (the composer's term) - followed by a rest - are anrecognizable
melodic feature of the work. : the first minute end with a short tone-feast (and a rest), the first four minutes end with a tone-feast lasting a minute (and a rest), the first quarter of an hour ends with atone-feast of four minutes (and a rest) - and the work ends with a tone-feast lasting quarter of an hour (and a rest, when the work is over...).
The first 15 minutes have a bright, light characterthroughout, and alternate between
rhythms and melodic play. The following 15 minutes are more insistent and decidedly
percussion-based, Afro-Cuban, whereas the third quarter of A Light Hour moves in the