Noten für Stabspiele

An easy medley of 'Morning Has Broken' and 'Joyful, Joyful, We Adore Thee' for the handbell soloist with piano accompaniment.

The composer uses whole, half and quarter notes throughout except at the end of 'Passacaglia'. The pedalpoint of 'Pedalpoint' is played with a mallet. The 'Passacaglia' builds to a grand climax ending...

This version of 'Ave Maria' is a versatile arrangement in which handbells play as written. The accompaniment plays in triplet form all the way through. The melody line may be: 1. played as a solo with...

Reproducible choir/congregational parts are included.

A collection of 5 pieces for 5 ringers with each ringer's part printed separately. A full score for the director is also included. These are also available separately for handbell choir MHP1408.

Mallets and martellato are used extensively. The compound meter is emphasized by chords, first in the bass then in the treble. The ending changes to a simple meter and a syncopated melody. Lots of sha...

Mallets and martellato are used extensively. The compound meter is emphasized by chords, first in the bass then in the treble. The ending changes to a simple meter and a syncopated melody. Lots of sha...

A wonderful tune from the 50's comes alive with this handbell arrangement. The text, which allows for a solo and/or choral addition, is included. Use in school or church.

A winner in anyone's book. Optional brass and timpani with separate score available. Brass ensemble consists of two trumpets, two trombones, optional Tuba, Timpani.

A processional for either Christmas or Easter for 3 Oct. handbells & SATB Choir. The reproducible choir part is included.

A C instrument is optional with this chordal composition.

For the 2-octave choir needing well arranged, easy hymn settings, this chordal composition is ideal.

Miss Dobrinski's arrangement of the 'Veni, Veni Emmanuel' is for 3 to 5-octaves and appropriate for the advent season or concert. Most effective with 5-octaves because of the chords in the bass clef.

Triumphant ending! The first stanza is a straight forward statement of the 'Lancashire' tune. Interest is added in the second stanza because of melody placement, fanfare figures and harmony. Triumphan...

The old gospel hymn comes alive with this arrangement by Doug Wagner as he uses rich harmonies and fanfare figures capitalizing on the dotted 8th and 16th figure.

Miss Dobrinski's knowledge of bells comes through loud and clear in this nocturne. Following the markings in the score results in a satisfying performance.

A quiet arrangement of three stanzas of a traditional hymn tune. Stanza one is characterized by movement, Stanza two is chordal and in stanza three the melody is below a moving descant.

An ideal piece for the beginning handbell choir, block chords, whole, half and quarter notes. Very ringable.

Using the beautiful English folk tune with this text is a perfect wedding of words (I Cor. 13) and music resulting in command performances. Ring as a handbell selection alone or with voice.

Madrid' & 'Azmon' are combined to create a festive arrangement for general use or an excellent offering for Easter. Beginning with a fanfare introduction, the piece states the 'Madrid' tune several ti...

Bass ringers enjoy this piece because they ring the melody on the second stanza. Rhythmically easy, the arrangement begins and end quietly but builds to a big climax just before the conclusion. Use as...

The 'Melita' tune is the source of this arrangement in which interest is created with melody placement and good bell use. Both treble and bass ringers get a chance to play the melody, and bell changes...

An exciting selection ideal for a festival setting. A lyric middle section is surrounded by chordal sections reminding one of fanfares. In general Two endings are given, one for 5-octave choirs, the o...