Noten für Stabspiele

An energetic original composition by one of the most widely respected composers of handbell music. The piece features minimal bell changes and is flexible enough to use with various numbers of ringers...

This work is an exuberant expression of praise with minimal bell changes.

For Handbells (3-5 Octaves, 30-45 Bells)

For Handbells (2-3+ Octaves, 17-21 Bells)

A literal transcription of the familiar Bach tune for either two handbell choirs or handbell choir and piano or organ.

An optional three, full octaves of handchimes are intermingled with the bells in this original work inspired by Christ's prayer in Gethsemane. The chimes are optional, but extra effort should be made...

Here is a setting of Gustav Holst's Jupiter Theme from The Planet, often referred to as Thaxted. Suitable for concert, prelude or offertory.

An energetic arrangement for bells alone but 'electric' if the optional percussion, double bass and voices are added. Performance suggestions give a variety of options.

The arranger captures the spirit of this traditional spiritual with harmony and rhythm. A sensitive piece ideally suited for the Lenten season.

For all of those 4 and 5 octave young ringers' choirs who have a difficult time finding fun, playable but interesting music in that octave range your search is over! Full texture, lots of fun techniqu...

To compliment his 1996 bestseller entitled HE NEVER SAID A MUMBALIN' WORD, Arnold Sherman has once again taken the simplicity of the spiritual and tastefully transformed it into a dramatic 3-5 octave...

Patricia Cota offers a new collection in the popular Twelve Bells Series comprised of American spirituals. She calls this book 12 bells + 1 because she has added an extra tone to many of these selecti...

Cynthia Dobrinski's new arrangement of this classic Christmas spiritual is sure to be a hit with both church and concert audiences. For the upbeat version, play it as written. For a jazzy alternative,...

Kathleen Wissinger lively rendition of this Christmas spiritual is adapted from a piano solo by John Carter. The catchy refrain is supported by a lilting accompaniment in 12/8. Optional 3-5 oct. handc...