Choral

One of the great female rock anthems of all time, this Pat Benetar classic makes a great last song or encore, and will have the audience bobbing their heads and screaming for more.

One of the great female rock anthems of all time, this Pat Benetar classic makes a great last song or encore, and will have the audience bobbing their heads and screaming for more.

This joyous original madrigal will lift your spirits high with its lively exuberance! A strong choice for the mature or developing ensemble. Available: SATB a cappella. Performance Time: Approx. 1:00.

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the vocal accompaniment and a dancel...

Originating as a traditional Tyne River Shanty for the transport of coal, this sturdy tune will fit well in a program of folk music, with a steady rowing motion in the vocal accompaniment and a dancel...

This a cappella madrigal from the high Renaissance is now available as a stand alone choral. It features opportunities for dynamic contrasts and development of the musical line. John Leavitt has edite...

A passionate Latin text, embodies all of the purity and pristine beauty of Renaissance music. Sung a capella, this reverent masterwork may be used in concert, contest, or festival settings by school o...

The glory of the unadorned human voice is presented in this Shawnee classic. Roy Ringwald's rich treatment of the choir is evident in every measure. Make this iconic American piece - made popular by F...

Greg Gilpin has taken this familiar English spring carol and spun an elegant choral of simple unisons, lush harmonies and solo opportunities. The sweet piano accompaniment only tugs at the heart strin...

Greg Gilpin has taken this familiar English spring carol and spun an elegant choral of simple unisons, lush harmonies and solo opportunities. The sweet piano accompaniment only tugs at the heart strin...

Originally set for four voices a cappella, Russell Robinson has taken this classic work and added an optional piano accompaniment and voiced it for 3-part mixed voices. Ideal for youth choirs.

This traditional spiritual is newly arranged by Russell Robinson in a robust a cappella setting with solo opportunities. With its repetitive sections, this piece is not difficult; however, with the ex...

One in a series of single sheets for 4-part choir, arranged from Bill Whelan's acclaimed Riverdance score.

Come Emmanuel is a wonderfully expressive spiritual for the Advent season for SATB voices a cappella.

Arranged by Gene Puerling for SSAATTBB Choir.

There is no better example of the classic Waring sound than in the sonorous chords of this arrangement by Roy Ringwald. High school and college choirs, churches and civic choruses must all have the op...

Traditional French carol, arranged for A Cappella SATB choir (divisi) by Howard Helvey.

This unusual, traditional spiritual is not often found. Phil Kern has arranged this exciting, a cappella piece which makes its mark with a driving, hushed energy, fantastic solo lines and an ending th...

The Beatles' Fool On The Hill as arranged for SATB Choir and Piano arranged by Gene Puerling.

This authentic 3-part English madrigal is now arranged by Rick Weymuth as a perfect concert or contest work. Nonsense words are enhanced by a story about a Maypole dance celebrating spring. Humorous,...

A favorite folk song to many, Doug Andrews has woven a cappella and accompanied singing, dramatic expression, and a flowing accompaniment into a tapestry of sound perfectly fitting for this beloved tu...

This arrangement of the classic American spiritual by John Leavitt is lively and expressive. The optional piano accompaniment allows for an a cappella performance if desired. Bright rhythms, surprisin...

This arrangement of the classic American spiritual by John Leavitt is lively and expressive. The optional piano accompaniment allows for an a cappella performance if desired. Bright rhythms, surprisin...

This a cappella gem uses optional percussion accompaniment creating a Renaissance sound and madrigal effect. Beginning with a simple melody, each part joins with its own melody. Soon the polyphonic si...