Choral

Written for the professional choir, The Jameson Singers, this moving text by Phillis Wheatley unfolds in long vocal lines with broad dynamics and liberal use of rubato. This is the convergence of visu...

Described as choral counterpoint for church choirs, these two short selections, God Thoughts and Majesty of Mountains, are gems that can be used as responses in worship, or combined, as a lovely anthe...

This traditional freedom song gained special significance during the Civil Rights movement of the 1960s and maintains its importance still. This setting, arranged for the Yale Glee Club, is strong and...

Poet and Iraqi war vereran Brian Turner writes moving accounts of the war that are vivid and powerful. Composer Shawn Crouch uses Turner's visceral images of the war but emphasizes the lyrical qualiti...

Poet and Iraqi war vereran Brian Turner writes moving accounts of the war that are vivid and powerful. Composer Shawn Crouch uses Turner's visceral images of the war but emphasizes the lyrical qualiti...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

Introducing Four Shape Note singing to your young singers, this arrangement from the Sacred Harp is full of energy. Young singers will relate to positive message and they will be surprised that 19th c...

The sensation of a young child, laying on their back and watching the snow gently fall is captured beautifully in this new piece by Dale Trumbore. Commissioned by Robert Bode and Choral Arts Northwest...

The sensation of a young child, laying on their back and watching the snow gently fall is captured beautifully in this new piece by Dale Trumbore. Commissioned by Robert Bode and Choral Arts Northwest...

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This text by the Wedderburns is best known from Benjamin Britten's timeless A Ceremony of Carols. This setting serves as a manger lullaby, with the soprano soloist representing Mary.

This beautiful Latin text describes the journey of the Magi as they follow the star to Bethlehem. Composer Robert Sieving depicts this journey musically as he builds from mystical wonder to a fanfare...

Blending scholarship and practicality, this performing edition of a Palestrina masterpiece can be performed a cappella. Or, employing the optional instrumental parts for strings in C, Alto and bass cl...

Beginning with a sound-scape where the choir creates the sound of waves and wind, this is a piece for the most adventerous choirs. Once the mood is established, a single tenor voice begins the poem, f...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Moved by the horrific Orlando night club shooting in June of 2016, Ellingboe set this poem to music as an outpouring of grief, yet also of hope, that all is not lost and that, indeed, This Is A Good W...

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

The Benediction for SATB Chorus a capella with a Piano accompaniment for rehearsal purposes.

For SSATBB Choir A Cappella.

For Four-Part Chorus of Mixed Voices A Cappella. Text: Melville Cane

For SATB Choir A Cappella, arranged by Steven Porter.

Choral Scherzo on a well-known tune. For Full Chorus of Mixed Voices A Cappella.