Esprit (Marching Band)

Richard Saucedo begins this opener in dramatic fashion with a Maestoso introduction which is followed by the faster main theme. This carefully paced arrangement includes nice feature sections for wood...

A powerfully written closer, this arrangement is based primarily on Tonight (Quintet), but also weaves in melodies from Somewhere, I Have A Love, and Maria. You'll leave your audience breathless with...

From Les Misérables, this arrangement features the powerful opening strains of the show followed by the driving 6/8 At the End of the Day. Lots of variety and a strong ending.

Including some of the most dramatic music from Les Misérables, this closing production starts with the melodic On My Own. The rousing march Do You Hear the People Sing? begins very quietly then builds...

From Grease, the musical that never gets old, here is a driving opener featuring plenty of solid full band playing, but also offering spots for percussion effects and visuals. Exceptionally scored for...

From Grease, the musical that never gets old, here is a driving opener featuring plenty of solid full band playing, but also offering spots for percussion effects and visuals. Exceptionally scored for...

From Grease, the musical that never gets old, here is a driving opener featuring plenty of solid full band playing, but also offering spots for percussion effects and visuals. Exceptionally scored for...

This arrangement of the moving ballad from Les Mis?rables starts with a horn and trumpet duet at the beginning followed by a powerful full band impact and finally a soft and delicate finish. Beautiful...

Driving funk classic from Tower of Power. Written with comfortable ranges for younger players and in cut time to make the rhythms easier to handle, this is an exciting production number with hot drum...

Who knew that the rock group Queen could really swing? This energetic chart provides a wealth of opportunities for auxiliary groups and staging.

Who knew that the rock group Queen could really swing? This energetic chart provides a wealth of opportunities for auxiliary groups and staging.

A lone trumpet announces this signature hit by The Doors as the chart settles into the familiar moderate rock groove. Particularly effective is the woodwind feature section simulating the unique sound...

A lone trumpet announces this signature hit by The Doors as the chart settles into the familiar moderate rock groove. Particularly effective is the woodwind feature section simulating the unique sound...

Who knew that the rock group Queen could really swing? This energetic chart provides a wealth of opportunities for auxiliary groups and staging.

A lone trumpet announces this signature hit by The Doors as the chart settles into the familiar moderate rock groove. Particularly effective is the woodwind feature section simulating the unique sound...

Originally recorded by the innovative jazz fusion group Weather Report, Birdland has become one of the most popular jazz tunes ever. Michael Sweeney adds a few wrinkles and a false ending but retains...

Although popular with jazz players (notably John Coltrane) this classic tune is treated here in an Afro Cuban jazz style. The percussion play an integral and featured role as the melody is passed arou...

Although popular with jazz players (notably John Coltrane) this classic tune is treated here in an Afro Cuban jazz style. The percussion play an integral and featured role as the melody is passed arou...

Higgins - Grade 2-3

Although popular with jazz players (notably John Coltrane) this classic tune is treated here in an Afro Cuban jazz style. The percussion play an integral and featured role as the melody is passed arou...

Now even younger bands can provide the answer to this musical question from Tower of Power. The ultimate in funk for the marching field!

From the mysterious opening strains, the introduction builds up to an energy-charged statement of the main theme. Exciting and effective opening production!

Written in a driving disco style, this closing production number features the low brass on the verse, an effective key change and powerful ending.

Richard Saucedo has taken a few creative liberties with this familiar rock anthem, and the result is an impressive opener or production number.