Hinshaw Concert

This major work is a seven-movement setting of Psalm 100, predominantly in Latin. Inserted within the work are interjections of the text 'Shout to the Lord, all ye lands!' in eight different languages...

Written for medium advanced adult choir, this lively piece is sure to grab your audience's attention.

Schwierig, aber exquisit, in drei Stimmlagen erhältlichDieses Stück ist für gemischten Chor (SATB Trio/SATB). HMC1251 ist für gemischten Chor (SAATTBB). HMC1253 ist für Männerchor (TTB Trio/TTBB).

Schwierig, aber exquisit, erhältlich in drei Stimmlagen. Dieses Stück ist für gemischten Chor (SAATTBB), Schwierigkeitsgrad: Fortgeschrittene Erwachsene. HMC1253 ist für Männerchor (TTB-Trio/TTBB) HMC...

Joseph Jennings has arranged this simple tune for mixed voices a cappella. Hear it on Chanticleer's recording Our American Journey, easily accessible for high school or adult voices.

This text, adapted here from the book of Ruth, is well known to most of us because of its use in many marriage ceremonies. Dan Forrest now beautifully sets the text for divisi mixed voices a cappella.

From the Andre Thomas Choral Series, composer Anthony Bernarducci sets this traditional liturgical text for a cappella SATB divisi chorus with djembe. The interesting and challenging rhythmic contrast...

Though it appears difficult at first glance, this piece is not as challenging as it looks and is highly recommended for advanced high school and/or college choirs. The composer uses lush and dissonant...

This traditional spiritual arranged by Linda Twine is sure to uplift your audience as well as your choir!

Ziemlich schwierig, aber exquisit, erhältlich in drei StimmlagenDieses Stück ist für Männerchor (TTB Trio/TTBB). HMC1251 ist für gemischte Stimmen (SAATTBB). HMC1255 ist für gemischte Stimmen (SATB od...

This is an excellent arrangement of the traditional spiritual, very jazzy and upbeat!

Here, award-winning composer Elaine Hagenberg has created an enchanting piece for mixed divisi chorus a cappella. On a text of abolitionist Franny Kemble, the lyrical melodic material and lush harmoni...

The text for this piece combines Psalm 96:1 (both in English and in Latin) with the words of Charles Anthony Silvestri. Scored for mixed chorus and piano, the festival work would be successful with hi...

Eleanor Daley has established herself as one of Canada's greatest composers of choral music. Vestigia is the Latin word for footprints. Try this lovely reflective piece for treble chorus with piano.

Hungarian composer Gyorgy Organ has one of the most distinctive choral styles found in the last half century. A unique combination of chromatic lyricism and percussive rhythmic drive, Pange Lingua is...

Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now, is it available for treble chorus. Take special note of the information found on the cover page.

Most of you have known the settings for mixed chorus and male chorus of this masterpiece. Now, is it available for treble chorus. Take special note of the information found on the cover page.

Lively arrangement of this familiar spiritualMeaningful, but full of fun onomatopoeia, a joy to practice, perform, and hear!

A spirited arrangement (for SSA and keyboard) of a lesser known, but likable, spiritualMedium difficulty, for secondary level and above

The mixed chorus version of this piece has long been a favorite from the Hinshaw catalogue. In this arrangement, Andre Thomas sets the work for treble chorus with piano.

The five a cappella movements forming words from paradise by composer Dan Forrest each set one word from Scripture. The five pieces for a symmetrical arch, with selah as the keystone. Each piece repre...

In the typical style of this fine Hungarian composer, Orban challenges the four-part treble voices of a skilled university women's choir.

A moderately difficult piece for a Sunday concert

Looking for an advanced work for unaccompanied treble chorus? Try this energetic setting for your concert opener. It truly is a 'new song. '

Anne-Marie Hildebrandt is drawn to Irish melody and this piece is no exception. Here, she sets the traditional Irish tune for unaccompanied treble voices (SSA) with soprano solo. It works great with h...