Hinshaw Concert

The work of composer and junior high music educator Dan Davison is a welcome addition to the Hinshaw catalogue. Here he sets the traditional spiritual for SSAA (T)B chorus a cappella with a variety of...

This lively and energetic piece for a cappella mixed chorus with divisi would be suitable for All State, festival, or honor choir choice.

This lively and energetic piece for a cappella mixed chorus with divisi would be suitable for All State, festival, or honor choir choice.

This timeless text is beautifully presented here in a lush setting for mixed voices. Try it for the festival of the Christian home.

This timeless text is beautifully presented here in a lush setting for mixed voices. Try it for the festival of the Christian home.

A rousing rendition of this traditional Jewish folksong, this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

A rousing rendition of this traditional Jewish folksong, this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

From the usic Of Black Americans Series'This is a strong, expressive piece for worship or concert setting. Contains the Ave Maria in Latin and another prayer in English (not a translation).

This lyrical, moving piece is wonderful for any day of the year. It is especially nice for festival use and has a restorative quality that makes it ideal for memorial services. It does require some ef...

Originally for mixed voices (HMC1720), Kenney Potter sets his original spiritual for male chorus, suitable for high school voices or adults.

This postlude to the words from Paradise Set (Holy, Hallelujah, Selah, Hosanna) is now available for double male chorus, suitable for a male chorus festival.

Originally scored for mixed voices as a part of the set Words from Paradise, this re-voicing for unaccompanied male chorus is lively and has use both in the church and with some academic ensembles. Us...

Originally set for mixed voices, this re-voicing for unaccompanied TTBB male chorus with divisi sets the traditional text from the book of Ruth. For a capable advanced ensemble, the lovely tonal langu...

Contents:1. Christmas Is A Feeling (HMC116). 2. Holy Manger (HMC368). 3. In Babylon Town (HMC119). 4. Our Brother Is Born (HMC293). 5. At This Joyous Christmas Time (HMC332). 6. Star Of Light (HMC515)...

From the Jean Ashworth bartle choral series for treble voices. The series offers two versions of this well loved piece: this one, (in the key of a-flat), is the easier one and can be used with smaller...

A favorable octavo for the second Sunday after Epiphany, this is a wonderful arrangement of the well-loved spiritual.

Beautiful, but fairly difficult, written for 2-part choir and keyboard

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Combining a number of medieval texts in both English and Latin, this work for treble voices is accompanied by piano or organ in a style true to the spirit of the texts.

Canadian composer Mark Sirett has an exceptional compositional voice. Try this spirited work with your treble chorus.

Editor Maribeth Yoder-White indicates in her notes that this work is 'an accessible, exciting selection that works well with a variety of ensembles, including festival and massed choirs. ' The text is...

Set for two-part treble chorus with keyboard or instrumental ensemble, the Mazzoni Credo is a lively setting of the Nicene Creed. The four short movements are easily sung by young or more mature voice...

Try this lovely old English carol with children and/or adult trebles on Christmas Eve or anytime up through Epiphany.

In recent years there has been a resurgence of interest in the use of baroque literature with young voices. This splendid arrangement edited by Maribeth Yoder-White (Accent On Young Voices) could be u...

This piece is included in the series Accent On Young Voices edited by Maribeth Yoder-White. Scored for three-part voices in any combination, there are many possibilities for the performance of this pi...