Hinshaw Sacred

Lucy Hirt sets the delightful French carol Il Est Ne for two-part treble voices (children or adults) with piano or handbells or optional orff instruments. The handbell part is included at the back of...

Originally scored for mixed voices (HMC1627), this arrangement for treble voices with piano sets the lovely Kirkpatrick Cradle Song tune to counter melodies found in both the second voice and the pian...

This baptismal anthem based on a text by Charles Wesley is written for two-part voices, also effective for Communion

Natalie Sleeth has always been acknowledged as a composer with a special gift for the simple melody. Here, David Giardiniere arranges this tune for two-part treble voices with keyboard and optional ha...

An all time favorite, this piece can be done by quite small children or by adults. Everyone loves it! It may be done unison or as a two-part canon, or with the canon done on any C instrument, or even...

In this piece, Tom Shelton combines a number of liturgical texts with some of his own prose. Scored for two-part treble voices, descant, piano, and bells, the work can be used successfully in both con...

Looking for an easy piece with handbells? This is it!This anthem has so many possibilities with its two-part with keyboard and a very simplehandbell part. Be creative!

A Christmas lullaby foretelling what is to come for the Christ child. In the lovely words of Gary Vitale, 'His head is weary, His eyes are tearing, and I can see a sadness coming: let my baby rest...k...

There are a number of possibilities for this unison piece. Try it on Christmas Eve or Epiphany with children or adults and piano.

Bright, stirring advent piece for 3-part mixed choir with keyboard using the familiar text by Philipp Nicolai, and interspersing the well-loved Wachet Auf melody with original music by John Horman.

An easy and versatile piece for Epiphany written in unison, good for youth or female voices, with organ accompaniment

This folk-like setting of an original sacred for two-part treble voices with piano would be exceptional in a contemporary praise and worship setting. Try it for confirmation or baptism.

Many small choirs extensively use two-part mixed voicings. Here, composer Tim Bushong sets his own text for two part mixed choir with piano, suitable for All Saints Day or for general use.

This is a wonderful Easter piece for children, beginning adult choir, or for standard choir repertoire for those inevitable Sundays when half the choir is unavailable.

This English tune is familiar to many in the choral field due to the arrangement by Leo Sowerby. Here, McCoy set the sweet tune to a lovely piano accompaniment that enhances the rhythm and contour of...

This lovely Christmas piece is set for treble voices SA with an optional S2 accompanied by piano. In the lyrical style so true to the works of Allen Pote, the simple text is enhance by creative phrase...

A lovely and simply melody written in two parts

Simple, but effective piece for youth or adult choir, especially nice for confirmation Sunday

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This is a perfect Epiphany piece. The versatile voicing makes it accessible for choirs of all ages and abilities.

This third century text has been sung during the lighting of lamps in the church for hundreds of years. This new translation is intended to be sung before the singing of Psalms or as a devotional hymn...

This setting of the unchanging (ordinary) common texts of the Eucharist was composed for unison singing, various combinations of choir and congregation may sing the sections.

A simple, lilting piece for two-part choir, mostly one part at a time until the end, when the melody is crowned with a descant

This 2-part piece for young or inexperienced choir has a strong, almost martial feel to it

This sprightly piece is part round, part descant, and all great fun for three (equal) part children's choir. Accompaniment is keyboard or handbells, and orff instruments.