Hinshaw Secular

One of two Emily Dickinson poems arranged for secondary chorus. The other is The Bee (HMC1778)

Tom Shelton provides us with this multicultural inspirational secular work for treble voices and piano. The English/Spanish combination works for graduation or an emphasis on world peace.

From the Accent On Youth series. This is a bright, fun piece for high school or adult choir. Suitable for secular or sacred settings: it is not liturgical, but the message is a good one.

Written for two-part treble voices, this setting of words by Lord Byron would work successfully for treble voices of all ages. Tom Shelton, a successful middle school teacher, understands quite well t...

Valerie Crescenz wrote this meaningful new work in response to the 9/11 tragedy

The creative team of Green and Crescenz bring us another thought provoking work. Though originally in a SAB setting (HMC1885), this 2-part treble work once again calls our attention to the 'forest as...

Valerie Showers Crescenz is a public school music teacher that understands the young voice. Once again she provide us with a provocative text perfectly matched to an expressive melody.

Composer Tom Shelton, a middle school choral teacher, truly understands the young voice. Try this two-part treble work that expresses the fact that 'music is the language all people share. '

This first work in the choral series, accent on young voices (edited by Maribeth Yoder-White), is set for three-part mixed voices with piano and provides young singers an opportunity to successfully p...

For 2-part treble voices with piano, this is the perfect piece for Earth day celebrations or anytime you wish to acknowledge the beauty of nature, suitable for all ages.

This piece for unison/two-part treble voices with piano and optional percussion is all about fun! Two pieces in this arrangement: Wabash Cannonball & This Train Is Bound For Glory Percussion part incl...

The team of Green and Crescenz gives us another thought-provoking work. Scored for two-part treble voices, the text and complementary music affirm, 'We can help them find the ways to make the world a...

This is such a clever piece for treble voices. Set to a traditional French tune, Valerie Crescenz creates a witty and comical work great for a spring concert.

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs). Don't miss out on: When We...

For two-part treble chorus with piano and optional flute, this is an easy piece set to a lovely Christina Rossetti text, easily adaptable for many settings.

Maribeth Yoder-White's series (Accent On Young Voices) brings us another work with practical performing suggestions included. We welcome Earlene Rentz to the Hinshaw catalogue.

For those of you who are middle school teachers this setting of the traditional American folksong is for you. Valerie gives us a three-part mixed voicing accompanied by piano. Try it during American m...

Looking for a rockin' spiritual for treble voices? This African folk hymn is set for 3-part voices with piano. Try it in worship or concert settings.

This is the latest in the highly successful 'accent on young voices' series edited by Maribeth Yoder-White. Again, highlighting the interest in global music found in music education these days, this B...

The fact that music brings the world closer together is highlighted in this new work for 2-part treble chorus with piano, violin, and cello. Based in part on the Chinese phrase 'four oceans bridge one...

Valerie Showers Crescenz is not a new name to the Hinshaw catalogue. This secular work is set to a lovely text by poet Lauren Gallagher and is scored for unison treble chorus with optional harmony and...

Hunter college composer Victor Bobetsky has arranged this traditional Korean folk song for 2-part treble chorus with piano, it is great for a spring concert. By the way, toraji is a small root vegeta...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Lucy Jones wrote the text for this energetic piece when she was in fifth grade in 2013. Scored for unison voices with piano, the piece is a wonderful addition to the accent on young voices series edit...

Written originally for a middle school honor chorus, this energetic piece with optional cello can be successful for voices of all ages. It is perfect in a festival or honor choir setting!