'Jazz Ensemble Library' - ausgesuchte Jazz-, Swing-, Blues- und Crossover-Nummern

Originally written as a ballad, Mike Tomaro does a great job of adapting this standard as a relaxed samba. The song's beautiful melody and lush harmony lends itself to a very elegant and appealing orc...

In the able hands of master arranger Michael Philip Mossman, this popular standard from the 1930s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow bolero style, this outstanding change of pace number features an alto sax soloist and...

Haunting yet beautiful describes Michael's unique setting of this marvelous standard. Written in a moderately slow bolero style, this outstanding change of pace number features an alto sax soloist and...

Bringen Sie die unvergleichliche Leidenschaft und das feurige Temperament lateinamerikanischer Rhythmen auf die Bühne! „Bésame Mucho (Kiss Me Much)“, einer der berühmtesten Bolero-Klassiker aller Zeit...

From the deep and sometimes mysterious mind of composer Michael Philip Mossman, here's a captivating cha-cha with attitude. Michael skillfully mixes full band scoring with section features and quick t...

From Dizzy Gillespie's Afro-Cuban stylistic period, here is his delightfully infectious Fiesta Mojo set in a bouncy medium samba groove. A small group starts things off (including optional flute) supp...

Originally composed by Mark Taylor four decades earlier, Love Beams proves its staying power with a new recording on Mark's big band CD To the Edge. With its easy going bossa style and gently flowing...

Composed for Latin jazz master Ray Baretto, this appealing cha-cha is based around a moderate groove and a very melodic theme. The variety in scoring is beautifully blended between showcasing individu...

Although originally composed for the 1962 musical No Strings, this Richard Rodgers song has become a familiar standard often recorded by jazz artists. Beautifully arranged here as a solo vehicle for a...

This Calypso flavored composition from Sonny Rollins may not be as well-known as his St. Thomas, however Duke of Iron is a distinctive and marvelous tune on its own. Featuring the two tenor saxes and...

Michael Mossman hat das weltbekannte kubanische Lied in eine moderne Big-Band-Fassung im moderaten Guajira-Stil mit erstklassigen Harmonien verwandelt.

In den geschickten Händen des Arrangeurs Michael Mossman fühlt sich dieser Irving Berlin-Klassiker als Mambo zu Hause! Mit einigen harmonischen Falten und einer großartigen Mischung aus verschiedenen...

Composed by jazz master Dizzy Gillespie, and arranged here by Latin master Michael Mossman, this appealing chart features a comfortable cha-cha groove, a distinctive harmonic progression, and a tunefu...

Der Bolero ist Kubas Version der Ballade, und diese wunderschöne, berührende Melodie mit üppiger Instrumentierung bietet Ihrer Band und besonders dem Altsaxophon die Gelegenheit, sich von der gefühlvo...

Der Bolero ist Kubas Version der Ballade, und diese wunderschöne, berührende Melodie mit üppiger Instrumentierung bietet Ihrer Band und besonders dem Altsaxophon die Gelegenheit, sich von der gefühlvo...

Arranged here in a unique samba setting, Michael Mossman provides some surprising twists and turns in this familiar Latin classic by Antonio Carlos Jobim. Every section gets into the act, along with a...

This familiar Stevie Wonder ballad was a pop hit in 1979 and has been imaginatively reworked here as a relaxed samba. Beautifully scored, this chart includes solos for alto sax and guitar (or piano)....

What a neat idea to turn this Henry Mancini classic into a medium samba groove! Your lead trombonist receives some well-deserved feature time and is joined briefly by the entire bone section. The ense...

Feature a flugel soloist on this lush and melodic original from Mark Taylor. Written in a relaxed Latin groove, this offers a nice opportunity for a change of pace for festival or concert use.

Here is one of Tito Puente's best known Latin production numbers and, in the hands of Latin master Michael Philip Mossman, this chart sets up an infectious and authentic groove that just does not let...

Made famous by John Coltrane, but treated here in a more traditional Afro-Latin style, this is something a little different for jazz ensemble. As with all Mossman charts, the rhythm section is meticul...