'Music Works Grade 3' - Epische Konzertstücke für junge Concert Bands

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

Richard makes full use of the sonic possibilities of the contemporary symphonic band in this exciting work. Through skillful use of layering rhythmic patterns and harmonic structures, a series of emot...

MusicWorks - Grade 3 Commissioned for the All Iowa Middle School Honor Band, here is an exuberant work that features dynamic ensemble passages, layering effects, and extensive percussion scoring. Rich...

MusicWorks - Grade 3 Drawing its title from the Greek word for motion, this marvelously paced work from Michael Sweeney explores various forms of motion within the concert band setting. The fanfare-li...

MusicWorks - Grade 3 Drawing its title from the Greek word for motion, this marvelously paced work from Michael Sweeney explores various forms of motion within the concert band setting. The fanfare-li...

MusicWorks - Grade 3 John Moss displays his depth of musicality and impeccable orchestrational style in this uplifting work composed in two main parts. The opening Prelude uses brief solos and rich so...

MusicWorks - Grade 3 Here is a marvelously appealing work suitable for contest or concerts composed in two main sections. The melodic and reverent Ballad is richly scored and contains nicely contrasti...

Skillfully combining four distinctive melodies from the early-American 'shape-note' hymnal The Sacred Harp, Timothy Broege has created a wonderful single-movement setting for band that includes many m...

First published in 1950, Robert Russell Bennett's Suite of Old American Dances has established itself as a classic in the repertoire for wind bands. This edition is designed for younger players and fe...

Variants on a Shaped Note Tune was commissioned by the Homewood Middle School Band (Homewood, AL), and was premiered at the Alabama Music Educators Association Conference in January 2006. The title re...

Here is a concise and playable version of the well-known classic by Rimsky-Korsakov. Using themes from 'The Sea' and 'Sinbad's Ship, ' Jay Bocook skillfully adapts this work for young players while st...

Exuberant and entertaining, this dynamic work is written all in one tempo and is perfect as a concert opener or festival number. Richard combines a tongue-in-cheek style with some jazzy elements while...

This beautifully constructed tone poem features a memorable lyric melody stated first by the horns and clarinets, and later by a trumpet duet accompanied by the brass section. Johnnie uses a nice blen...

This celebratory work by Timothy Broege uses alternating fast and slow segments to showcase a variety of colors and contrasting musical styles. The slow sections feature brief solos for alto sax and t...

Nearly 400 years ago (in 1609) Henry Hudson and his ship, the Half Moon, explored the majestic river that was later to bear his name. Half Moon on the Hudson pays tribute to this area of New York and...

Nearly 400 years ago (in 1609) Henry Hudson and his ship, the Half Moon, explored the majestic river that was later to bear his name. Half Moon on the Hudson pays tribute to this area of New York and...

Nearly 400 years ago (in 1609) Henry Hudson and his ship, the Half Moon, explored the majestic river that was later to bear his name. Half Moon on the Hudson pays tribute to this area of New York and...

Dieses fesselnde und rhythmisch dynamische Werk, das vollständig im 5/4-Takt geschrieben ist, erkundet eine Vielzahl von Stimmungen und Stilen in diesem einzigen Takt. Nach der anfänglichen Fanfare wi...

The early American hymn tune Nettleton is creatively arranged in this beautful setting by Johnnie Vinson. Using the horns as a focal point for the first section and followed by a lyric section scored...

The early American hymn tune Nettleton is creatively arranged in this beautful setting by Johnnie Vinson. Using the horns as a focal point for the first section and followed by a lyric section scored...

Combine an aggressive percussion undercurrent along with powerful riffs, clapping, stomping, and other noisy effects, and you have a marvelous extravaganza sure to be enjoyed by players and listeners...