Professional Editions Vocal Solo

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Recorded by Barbara Morrison with the Clayton-Hamilton Jazz Orchestra for The L. A. Treasures Project, this powerhouse arrangement is a study in contrasts. The sparse and quiet opening gradually build...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...

Originally recorded in 1984 by Stevie Wonder, here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns, interesting...