Sammy Nestico Young Jazz Series

The rhythm section must supply a solid, steady beat for this arrangement to sound well. A selection of written solos are provided for various instruments.

In this beautiful showcase for alto saxophone, the overall performance can be loose but must convey great warmth. Brass section volume during background passages should be kept to a minimum. The pyram...

This arrangement calls for a very lazy feel. Keep saxes quietbehind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce so...

Since the voicings in this arrangement are primarily linear, weaker players will have an opportunity to learn by listening -- most lines are doubled so that stronger players will be able to support th...

Since the voicings in this arrangement are primarily linear, weaker players will have an opportunity to learn by listening -- most lines are doubled so that stronger players will be able to support th...

The rhythm section must supply a solid, steady beat for this arrangement to sound well. A selection of written solos are provided for various instruments.

This chart written especially for young groups includes a written or ad lib solo section that can be opened up for alto, tenor, trumpet and trombone. Crisp and accented figures will keep the chart mov...

This chart written especially for young groups includes a written or ad lib solo section that can be opened up for alto, tenor, trumpet and trombone. Crisp and accented figures will keep the chart mov...

This is an easy version of the blues with a slight harmonic twist. Almost all of the work here is performed by sections rather than the full ensemble. This chart doesn't call for great dynamic range o...

This is an easy version of the blues with a slight harmonic twist. Almost all of the work here is performed by sections rather than the full ensemble. This chart doesn't call for great dynamic range o...

Obtaining a good blend is always difficult with an open sax voicing such as the one in measure 73; it may take several attempts to achieve this.ââˆThis arrangement also uses the voicing of 1st Alto Sa...

Obtaining a good blend is always difficult with an open sax voicing such as the one in measure 73it may take several attempts to achieve this. This arrangement also uses the voicing of 1st Alto Sax in...

This tune has a comfortable tempo, easy ranges, well-balanced ensemble chorus and a very handsome harmonic structure. All parts are interesting and contribute to the whole picture. Trumpet, alto sax a...

This tune has a comfortable tempo, easy ranges, well-balanced ensemble chorus and a very handsome harmonic structure. All parts are interesting and contribute to the whole picture. Trumpet, alto sax a...

Play this chart with a crisp feel, treating short notes very short. In measures 18-19, 26-27 and 62-63 the 3rd and 4th Trumpet parts can be lowered if the written lines are too demanding.

Play this chart with a crisp feel, treating short notes very short. In measures 18-19, 26-27 and 62-63 the 3rd and 4th Trumpet parts can be lowered if the written lines are too demanding.

Pairing altos with trumpets and tenors with trombones makes this easy swinger a really sweet ride for young bands! A written or ad lib solo for tenor sax brings sparkle to the midsection before an eas...

Pairing altos with trumpets and tenors with trombones makes this easy swinger a really sweet ride for young bands! A written or ad lib solo for tenor sax brings sparkle to the midsection before an eas...

Dedicated to legendary jazz trumpeter Harry 'Sweets' Edison, this chart is a happy conversation between the band and the soloist. To achieve a good blend, all dynamics are in the mezzo forte range, wi...

Dedicated to legendary jazz trumpeter Harry "Sweets" Edison, this chart is a happy conversation between the band and the soloist. To achieve a good blend, all dynamics are in the mezzo forte range, wi...

In this beautiful showcase for alto saxophone, the overall performance can be loose but must convey great warmth. Brass section volume during background passages should be kept to a minimum. The pyram...

This arrangement calls for a very lazy feel. Keep saxes quiet behind the piano solo (measures 21-25), and work on the split triplets in measures 35-36 since they offer a great opportunity to produce s...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

The first 12 measures of this chart require good balance and presence from the rhythm section (preferably electric). A nice and full dynamic change at measures 29 and 61 is necessary, and the saxophon...

In this appealing straight-8ths original for developing groups, the written solo for tenor sax takes center stage. Rhythm section parts are notated, and using electric guitar, piano and bass will help...