Schirmer Concert Band

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Written in 1970, Robert Muczynski's two-movement Sonata for Alto Saxophone and Piano has become a standard in the saxophone repertoire. Anthony LaBounty has skillfully adapted this work for band accom...

Although fairly brief in duration, this exciting overture features plenty of power and musical depth. Originally a work for brass quintet, it wasn't until many years later that the full band version t...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...

In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind orc...