Sing: Songs For Schools

This piece was winner of the 2010 Vanguard Premieres Choral Composition Contest. A setting of Psalm 42, the rich harmonic language and skilled voice leading produce a lovely effect that complements th...

Joe Jennings is a master with this style. With extensive divisi, he sets this traditional spiritual in a syncopated rhythmic style that will energize choir and audience. This is an advanced work.

This creative work began as an English setting of amazing grace by the composer David Huff (HMC1844). Here, composer James Green makes extensive use of the original but sets the piece to native Americ...

Hungarian composer Gyorgy Organ has one of the most distinctive choral styles found in the last half century. A unique combination of chromatic lyricism and percussive rhythmic drive, Pange Lingua is...

This original spiritual by composer Jess Turner comes recommended by Dr. Andre Thomas. Scored for mixed chorus with divisi, the unaccompanied piece would work well for high school voices, community ch...

This well-known traditional spiritual gets a fresh new rhythmic setting here by composer Stacey Gibbs. Scored for unaccompanied mixed chorus (divisi), the piece joins the many outstanding works found...

The poetry of Christina Rossetti is quite popular with composers. Here, Richard Waters sets this lovely text for unaccompanied mixed chorus with divisi. The colorful harmonic structures make this a re...

Philippine composer Alejandro Consolacion gives us this beautiful setting of Our Father set for unaccompanied mixed chorus (divisi) and two solo treble voices. The harmonic language is rich, lush, and...

The work of composer and junior high music educator Dan Davison is a welcome addition to the Hinshaw catalogue. Here he sets the traditional spiritual for SSAA (T)B chorus a cappella with a variety of...

This lively and energetic piece for a cappella mixed chorus with divisi would be suitable for All State, festival, or honor choir choice.

This lively and energetic piece for a cappella mixed chorus with divisi would be suitable for All State, festival, or honor choir choice.

This timeless text is beautifully presented here in a lush setting for mixed voices. Try it for the festival of the Christian home.

This timeless text is beautifully presented here in a lush setting for mixed voices. Try it for the festival of the Christian home.

A rousing rendition of this traditional Jewish folksong, this setting won the 2014 Chanticleer Student Composer Competition. It is perfect for a festival or honor choir concert.

This lyrical, moving piece is wonderful for any day of the year. It is especially nice for festival use and has a restorative quality that makes it ideal for memorial services. It does require some ef...

Originally for mixed voices (HMC1720), Kenney Potter sets his original spiritual for male chorus, suitable for high school voices or adults.

This postlude to the words from Paradise Set (Holy, Hallelujah, Selah, Hosanna) is now available for double male chorus, suitable for a male chorus festival.

Originally scored for mixed voices as a part of the set Words from Paradise, this re-voicing for unaccompanied male chorus is lively and has use both in the church and with some academic ensembles. Us...

Originally set for mixed voices, this re-voicing for unaccompanied TTBB male chorus with divisi sets the traditional text from the book of Ruth. For a capable advanced ensemble, the lovely tonal langu...

Contents:1. Christmas Is A Feeling (HMC116). 2. Holy Manger (HMC368). 3. In Babylon Town (HMC119). 4. Our Brother Is Born (HMC293). 5. At This Joyous Christmas Time (HMC332). 6. Star Of Light (HMC515)...

From the Jean Ashworth bartle choral series for treble voices. The series offers two versions of this well loved piece: this one, (in the key of a-flat), is the easier one and can be used with smaller...

A favorable octavo for the second Sunday after Epiphany, this is a wonderful arrangement of the well-loved spiritual.

Beautiful, but fairly difficult, written for 2-part choir and keyboard

Ryan D. Neaveill returns to the Hinshaw catalog with a festive work for 2-part mixed voices, keyboard, and optional cello and violin. Sung in either Latin or to an English adaptation, the piece could...

Combining a number of medieval texts in both English and Latin, this work for treble voices is accompanied by piano or organ in a style true to the spirit of the texts.