Treasury Choral

This secular English madrigal dances with rhythmic energy and fiery passion! The two soprano parts create an echo effect if separated spatially. Fun!

This secular English madrigal dances with rhythmic energy and fiery passion! The two soprano parts create an echo effect if separated spatially. Fun!

(Tschesnokoff/Walker) SATB

Create a moment of reverence and reflection with this English Renaissance anthem, now arranged for men's voices. Ideal for concert and worship!

Men's choirs will appreciate the opportunity to perform this motet of Tomás Luis de Victoria, one of the most important composers of the Italian Renaissance. A superb choice for contest and honor choi...

Here is a beautiful, late Baroque piece written in a homophonic style. With careful attention to ranges and tessitura, this is a wonderful opportunity for your men to experience this important style p...

Here is a beautiful, late Baroque piece written in a homophonic style. With careful attention to ranges and tessitura, this is a wonderful opportunity for your men to experience this important style p...

English composer John Bennet (c. 1575- c. 1614) wrote several madrigals in the style of Thomas Morley. This new edition for male voices is perfect for contest use.

This new arrangement was created with success in mind! Introduce your men to this classic and all the opportunities it offers for great music-making.

The expressiveness of the Renaissance is richly portrayed in this edition of the classic masterwork by Palestrina, now available in a men's voicing. An excellent choice for beginning and developing en...

The expressiveness of the Renaissance is richly portrayed in this edition of the classic masterwork by Palestrina, now available in a men's voicing. An excellent choice for beginning and developing en...

This collection is a fantastic resource for introducing the music of the Renaissance to the male ensemble. The five well-known and representative works are: Adoramus Te (Giovanni Pierluigi da Palestri...

This collection is a fantastic resource for introducing the music of the Renaissance to the male ensemble. The five well-known and representative works are: Adoramus Te (Giovanni Pierluigi da Palestri...

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

From Handels oratorio, Judas Maccabaeus, this chorus has been adapted for two part treble voices in an accessible introduction to the music of the Baroque.

Henry Leck's edition of the Praetorius masterwork is transcribed from the original 1611 setting with a charming new accompaniment. Includes Latin, German and English text. Available: 2-Part. Performan...

This simple 4-part canon at the fourth is an ideal introduction to music of the Renaissance. Available: 4-Part any combination. Performance Time: Approx. 1:40.

This setting of Cesar Franck's exquisite Latin hymn will enhance many concerts with a high, floating solo supported by rich choral harmony accompanied by keyboard or the optional oboe, harp and string...

First performed in 1691 as part of the semi-opera King Arthur this energetic arrangement may be presented by treble or mixed voices. Optional flutes will enhance the performance. Performance Time: App...

From Vivaldi's ever-popular Gloria, this is the joyous opening movement arranged for male voices. An excellent selection for concert or festival!

The famous tenor aria from Judas Maccabaeus has been arranged for male chorus in a setting that preserves the brilliance of the original work. The Tenor II part is optional, making this selection more...

Here is the 10th movement from the Handel Oratorio Judas Maccabaeus. Sung by a bass soloist in the major work, this arrangement is skillfully set to fit the voices of young men.

Here is the 10th movement from the Handel Oratorio Judas Maccabaeus. Sung by a bass soloist in the major work, this arrangement is skillfully set to fit the voices of young men.

This well-edited Baroque showpiece includes both English and German texts. Available: TB. Performance Time: Approx. 1:30.

From the Bach Cantata 142, this edition will be an excellent introduction to Baroque style for choirs of all levels. A fine choice for concert, festival and contest. Duration: ca. 1:15.