Vocal Solo

Sheet Music

The Lord's Prayer, scored for medium voice for C instruments and Organ.

In G Major.

Cesar Franck's Panis Angelicus has long been popular amongst vocalists. This arrangement is for High Voice, the range being small - from the A above middle C to the F Sharp above it - and the piece is...

A wonderful example of the fabulous Operatic works of Christoph Willibald Gluck. Scene from the opera Orpheus is arranged here for Flute and Piano by Georges Barrére.

With Violin/Cello and Harmonium/Organ Accompaniment.

For Soprano, Piano and either Clarinet, Flute or Violin.

This is a beautiful setting of Robert Frost's poem Dust of Snow by Elliott Carter. Arranged for Voice and Piano accompaniment.

She Must Stay is the final soprano aria from Corigliano's 1991 opera 'The Ghosts of Versailles', sung by Marie Antoinette. The aria is extracted from the newly published first edition of the vocalscor...

Purcell's I Attempt From Love's Sickness To Fly, presented for High Voice in the Key of G.

Aria from the Opera 'Le Nozze Di Figaro'.

The third song in the composer's Tagore-inspired 'Gitanjali' cycle (1913).

The Lord's Prayer, scored for medium-low voice with piano accompaniment.

For High Voice and Piano, in the key of B Flat.

A setting of Lord Byron's poem for voice and piano.

A setting of a poem written by Lord Byron for voice and piano.

The hauntingly beautiful spiritual arranged for Voice and Piano by John Jacob Niles.

Rudolph Schirmer's 'Honey Shun' is an unusual song for high voice and piano.

From Rudolph Schirmer's Seven Songs for Voice and Piano, this is a song of a knight who gives up the sword for the love of the travelling life. Suitable for high voice with a range from Middle C to th...

Schirmer's song Ianthe is the pentultimate song from Seven Songs for Voice and Piano. The words and music have a sensual, passionate quality, describing the many attractive qualities of Ianthe.

Rudolph Schirmer's song 'My Heart Is A River' is the final song from Seven Songs for Voice and Piano. It is designed to display a large vocal range - it spans almost two octaves beginning from the G b...

Based on the tune from the Corpus Christi hymn Pange Lingua, this song depicts the shepherds' feelings approaching the manger.

Also wittily subtitled 'Strike till the iron is hot', this is a comic, almost 'nonsense' song based on a poem by Marianne Moore.

Song Number 2 from The Cloisters for Voice and Piano. Poem by William M. Hoffman.