Jyrki Linjama
String Quartet No. 2
Allerheiligentag 3
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Jyrki Linjama
String Quartet No. 2
Allerheiligentag 3
- Besetzung Streichquartett (2 Violinen, Viola und Cello)
- Ausgabe Partitur und Stimmen
- Komponist Jyrki Linjama
- Verlag Fennica Gehrman
- Bestell-Nr. 9790550115538
inkl. MwSt.,
zzgl. Versand
Voraussichtliche Lieferung zwischen
26.11.2026
und
10.12.2026.
Beschreibung:
Jyrki Linjama's second string quartet (2018) is subtitled Allerheiligentag III. The material for the Allerheiligentag cycle is a Finnish folk chorale for All Saints' Day (no. 146 in the Finnish Hymn Book). The first work in the cycle is a string trio (2007), the second a piece for orchestra (2009), and the fourth and fifth are solo works for viola da gamba and violin.
The composer tells: 'The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle. '
The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness.
The composer tells: 'The choice of topic and material for the string trio was originally prompted by the venue at which it was to be premiered: the old church on the island of Seili (Själö). The bleak history of the island's leper and mental hospital evoked images of suffering and death. I got so attached to the harsh and beautiful melody that it began to generate a whole cycle. '
The string quartet is in three movements (slow-quick-slow) tensed in different ways by contrasts. The first movement has both swinging softness and cutting sharpness, the Scherzo the wildness of a dance of death and lyricism, and the finale the irrevocability of a funeral march and tender melodiousness.
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