David J. Matthews
String Quartet No. 6
Set of Parts
David J. Matthews
String Quartet No. 6
Set of Parts
- Besetzung Streichquartett
- Komponist David J. Matthews
- Ausgabe Stimmensatz
- Verlag Faber Music
- Bestell-Nr. 0571555160
Lieferzeit 3-6 Arbeitstage
inkl. MwSt.,
zzgl. Versand
Nicht in allen Ländern verfügbar. Mehr erfahren
Beschreibung:
1. Allegro moderato e flessibile - 2. Adagio - 3. Allegro energico
When a friend of mine, the art critic Peter fuller, was killed in a car accident in April 1990, I composed a short piece for string quartet which was later played at his memorial service. This piece forms the basis of the central slow movement of the present Quartet. The original piece survives more or less intact, but I enclosed it within a rhetorical frame, and at two points I introduced new developmental material. The outer movements both derive their thematic material from the slow movement. Both are in sonata form. Much of the first movement is contemplative in character, though its second subject is a fierce chordal passage. In the last movement the main contrast is between the energy of the opening and the overt lyricism of the second group. The development precipitates a crisis, where a theme from the slow movement returns, high on the cello. The ending is, I hope, a reaffirmation of vitality. The Quartet was commissioned by the Little Missenden Festival, funded jointly by the Friends of the Festival and the Buckinghamshire Arts Association.
David Matthews
When a friend of mine, the art critic Peter fuller, was killed in a car accident in April 1990, I composed a short piece for string quartet which was later played at his memorial service. This piece forms the basis of the central slow movement of the present Quartet. The original piece survives more or less intact, but I enclosed it within a rhetorical frame, and at two points I introduced new developmental material. The outer movements both derive their thematic material from the slow movement. Both are in sonata form. Much of the first movement is contemplative in character, though its second subject is a fierce chordal passage. In the last movement the main contrast is between the energy of the opening and the overt lyricism of the second group. The development precipitates a crisis, where a theme from the slow movement returns, high on the cello. The ending is, I hope, a reaffirmation of vitality. The Quartet was commissioned by the Little Missenden Festival, funded jointly by the Friends of the Festival and the Buckinghamshire Arts Association.
David Matthews