Noten für Streichinstrumente

This sonata by Bitti is unusual in having only three movements - all of them quick or quickish movements in C major. However, the movements are nicely contrasted. The first is a euphonious dialogue be...

This expressive four-movement sonata in G minor opens with an Adagio in the style of a slow cantata aria, complete with an introductory ritornello for the continuo. There follow an Allegro in perpetuu...

This A major sonata could be regarded as a summation of Bitti's craft as a composer of violin sonatas. It is also a sonata that comes particularly close to Corelli's musical language. A long, eloquent...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The twelve 'Cambridge' sonatas, presented to Cardinal Ottoboni, represent the 'late', galant Bitti, full of lovingly sculpted ornamental detail for the violin but with the same resourceful harmony and...

The eleventh sonata, in five movements, is one of the most elaborate in the set. Its first movement (A tempo giusto) is very ornate and makes attractive use of syncopation. The second movement (Vivace...

The twelfth sonata, in four movements, makes a fitting climax to the set. Its first movement (Vivace) is somewhat corrente-like, with delicately traced passage-work. The Andante that follows is distin...

The present work consists of four movements in the tempo-sequence slow - fast - slow - fast: the 'classic' structure associated especially with Corelli. The slow movements are lyrical, the fast moveme...

This four movement sonata exemplifies Albicastro's mastery of the Corellian style.

Eberl's Sonata in D major, Op.20, the sixth of seven sonatas with violin, was composed around 1803 and dedicated to Dorothea Ertmann, the highly regarded pianist who many have suggested as Beethoven's...