John Glenesk Mortimer

Sonatina

The Sonatina for Viola and Piano by John Glenesk Mortimer is a work that is both radiant and accessible, captivating listeners with its freshness, refinement, and perfect balance between tradition and modernity. Comprising four movements — Prologue, Scherzo, Romance, and Finale — it skillfully explores the viola's many expressive facets without ever yielding to mere showy virtuosity. The Prologue, the opening movement, immediately establishes a bright, melodious atmosphere. Joyful and elegant in tone, it highlights a clear, transparent musical language and lively rhythmic writing. The viola moves with agility, shifting between contrasting articulations, sudden changes of mood, and subtle rhythmic nuances, while the piano — both energetic and precise — brilliantly supports the movement's dynamic momentum. The Scherzo, more whimsical and capricious, is built on bouncing rhythms and playful exchanges between the two instruments. It calls for great bowing flexibility and fine articulation from the violist, especially in passages of rapid détaché and light leaps, while the piano contributes to the lively, mischievous atmosphere with crisp clarity. In marked contrast, the Romance (third movement) reveals writing of great tenderness. The viola's melodic line, almost vocal in character, unfolds with warmth and emotional depth, supported by the piano's discreet and nuanced accompaniment. This suspended moment offers a lyrical pause, filled with intimate beauty and emotion. The Finale brings the work to a close with a spirited, rhythmic tone, returning to the lightness and vitality of the earlier movements. Once again, Mortimer demonstrates a keen sense of balance between expressiveness and clarity, in writing that is always in service of the music. Overall, this Sonatina fully showcases the viola's expressive and technical qualities in a score that is elegant, imaginative, and deeply musical.