Chor & Gesang

For SATB unaccompanied. These short motets (Bread of Heaven and Bread of the World) are accessible by any church choir. The text makes them appropriate for any time during the church year, but they co...

The Musica Dei donum series makes accessible to performers a variety of interesting and generally lesser-known Renaissance vocal works. The titles in the series are presented in practical format, with...

For SATB and organ with optional strings. This setting invites the congregation to join in with several of the verses. Verse 1 is sung in unison, verse 2 is men only, verse 3 is a capella, and verse 4...

For SATB with divisions, unaccompanied Choirs will enjoy singing the lush, expanded harmonies in this short, breathtaking anthem. The fourteenth-century text is used widely during communion, but is al...

For SSAATTBB unaccompanied. This rhythmic and spirited setting of the familiar hymn is perfect for large choirs either as a commemoration piece or in a concert setting.

For SATB unaccompanied. Right from the first bar, this upbeat, refreshing arrangement of the African American spiritual will catch the attention of the performer and audience. Culminating in six-part...

For SATB unaccompanied. This is a lush setting of three poems by Sara Teasdale who, in 1918, won the precursor to the Pulitzer Prize for Poetry. This piece would make a welcome addition to the reperto...

Oxford Music from Canada is a new series of choral pieces by significant Canadian composers that reflect the themes and texts of Canada. for SATB unaccompanied The Grand Hotel is a setting of a folkso...

For SATB unaccompanied. The music opens with 'oos', and, after a pause, the choir enters, singing in Latin, sempre legato. Bassi writes lush choral lines with suspension after suspension, which result...

A setting of a poem by Ursula Wood, later to become Ursula Vaughan Williams. The dedication reads, 'To the memory of Charles Villiers Stanford, and his Blue Bird'.

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SSATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain th...

Four five-part settings for unaccompanied voices

The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Church's wonderful musi...

For unaccompanied SSATB. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain th...

SSATB unaccompanied The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the Chu...

For SATB with some division in T, unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It stri...

For SATB unaccompanied. The Church Music Society affirms the importance of music in worship and of the effective use of music appropriate to its proper liturgical use. It strives always to sustain the...

For SATB Choir a cappella. Arranged by J. Michael Diack.

Four poems sharing a common motif of 'Night' provide the texts for my choral cycle Nocturnes, the American Choral Directors Association's commissioned work for its 2005 national convention. For Rilke'...

For Chorus of Mixed Voices A Cappella