Dreistimmiger Chor SAB Noten

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

The well-loved song by Robert Lowry takes on a more reflective and emotional style in this a cappella setting for mixed voices. This unique arrangement allows the singer to delve further into the mean...

From the pop group Train's album A Girl, A Bottle, A Boat comes this 50's throwback for today's generation to enjoy. Set either accompanied or a cappella, Jake Narverud has captured the novel sound of...

From the pop group Train's album A Girl, A Bottle, A Boat comes this 50's throwback for today's generation to enjoy. Set either accompanied or a cappella, Jake Narverud has captured the novel sound of...

This piece was designed for the choir that needs the compromise range for the male section, yet desires to perform more classical works. Available: 3-part Mixed a cappella.

An exciting showpiece for contest or festival! Rhythmic vitality and solid harmonies propel this work to a powerful conclusion. Available: SSA a cappella, 3-Part Mixed a cappella.

This sensitive masterwork in the style of Mozart is arranged with careful attention given to the changing voice. An excellent contest/festival choice. Available: 3-Part Mixed.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

This contemporary original is an accessible concert or contest work for young choirs and features a strong rhythmic drive with contrasting mixed meter sections.

Whether you choose to perform Bach's classic in English or German, accompanied or a cappella, the lasting beauty of this 18th-century hymn will be a superb addition to any concert or festival program....

A powerful festival work that is ideal for developing choirs with a limited number of male singers. Available: SSAB a cappella.

Set in a madrigal style, this piece offers great educational tools, independence of parts, ABA form, terraced dynamics. A wonderful style for your students to explore! Available: SAB a cappella. Perfo...

L. Stanley Glarum's Lord, Hosanna In The Highest for SAB choir with optional Piano or Organ accompaniment. This is a setting of text from St. Mark XI: 9, 10.

The Laird O'Cockpen, arranged by Robert Rhein for SATB choir a cappella. This work features words by Carolina Oliphant [Lady Nairne] (1766-1845). Brief notes are included on the vocabulary andpronunci...

For SAB Voices A Cappella.

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...

Russell Robinson has carefully edited this 17th Century madrigal for today's 3-part choirs. The key has been lowered a fourth, allowing part I to sing in a comfortable, one-octave (D-D) range. It also...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

This full- sounding choral work with a driving, rhythmic intensity may be performed a cappella or with the piano doubling the voices. ABA form makes for quick learning. Secular text is perfect for sch...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...

All Ye Who Love Music was given its English text by Thomas Oliphant in 1837. This arrangement has been lowered one step from the original key of G major to F major. The soprano (Part 1) melody is basi...