Dreistimmiger Chor SAB Noten

Breathtaking! This gorgeous setting of the Agnus Dei text begins piano and gradually crescendos to a mezzo forte before ending in a pure, hushed final major chord. Easy to teach, this ABA-form piece w...

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

This popular general-purpose spiritual is now available for your men. Creative and full-sounding choral writing features both homophonic and 2-part textures. Clever, innovative, non-sacred text: 'No n...

Another well-edited arrangement by Russell Robinson of a light and spirited work from the madrigal repertoire. It's the perfect choice for any SSA or 3-part mixed choir, with or without experience in...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

A thoughtful song of parting, benediction-like, in the style of an Irish blessing. Basic choral writing throughout with much opportunity for rubato phrasing. Moderate ranges in all voice parts in both...

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

Morley's famous madrigal is arranged perfectly for 3-part mixed voices. Excellent for developing choirs and small vocal ensembles. Limited range male part.

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

An original, newly composed madrigal written for developing SAB and SSA choirs. Great for any choir of any size learning to sing in the madrigal style. The unique text, written in 1912 by William Jero...

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

The energy of this piece is derived from the layering effect of vocal lines and handclaps. The interweaving of voice parts makes for joyous part singing.

Much repetition and a catchy makes this 7/8 number deceptively easy to learn. Opens with eight measures in 7/8, then a smooth, homophonic andante section in 4/4, followed by a repeat of the opening 7/...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Feature your men with this sumptuous edition of an a cappella standard from the madrigal repertoire by Thomas Morley. Formerly available for 3-part mixed voices, Russell Robinson's new TBB adaptation...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Russell Robinson has adapted one of Thomas Morley's most enduring madrigals for 3-part voices, just right for today's young and developing choirs. The male part has a limited, 5-note range. . . great...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...

This trio of fresh, new, madrigals from Jay Althouse is a valuable addition to the choral repertoire of 3-part and SSA choirs. And at 1.75, it's quite a value. The first is in a traditional madrigal s...

We might have called this piece: 'Greatest Hits of the Sixteenth Century!' It's every madrigal you can think of (plus a few you can't) cleverly woven into a tight, fun to sing medley. Each madrigal de...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...

Another well-edited arrangement by Russell Robinson from the madrigal repertoire. Sung a cappella, or with the piano, the men's part spans only six notes in an easy range for changing voices. Charming...