Geistliche Noten für Chor

Following a short a cappella vocal fanfare, this exuberant work transitions into a lively 12/8 theme with full vocal textures and rich harmonies. The middle section is a contrasting slower 4/4 legato...

This lovely and expressive setting of the Kyrie with gently arching phrases and rich harmonic nuance will enhance concert programs and worship services for choirs from school through adult. Perform wi...

This lovely and expressive setting of the Kyrie with gently arching phrases and rich harmonic nuance will enhance concert programs and worship services for choirs from school through adult. Perform wi...

Upbeat and uptempo, this joyous anthem could be used in both worship and concert, and its accessible vocal writing alternates between unison and harmonic passages. A straightforward piano part further...

Composed when he was only 10 years old, Emile Serper wrote this about his composition: It is my hope that this setting of Ave Maria may have a positive impact and be shared in many ways. After I heard...

Introduce your treble choirs to the Baroque/Classical style of the Italian composer Baldassare Galuppi with this adagio movement filled with sorrowful descending lines and ardent suspensions. An excel...

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...

Your singers will love rehearsing and performing this rhythmic celebration based on traditional African music. Layered vocal lines, call and response and the vitality of the congas, claves and djembe...

Dan Forrest's Jubilate Deo (Movement I from 'Jubilate Deo') for SATB chorus with optional Treble choir.

This work bounds away with spirit and energy, embracing the force of nature portrayed in the Anne Brontë poem. This selection will showcase middle and high school developing choruses at their best in...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

This selection by Baroque composer Johan Helmich Roman, adapted in this edition for treble voices, is recommended for festival and contest programming for choirs in middle school and high school, as w...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase “Gloria in Londinium, invictus, invicta” to symbolize the co...

Commissioned for the 2012 London Olympics, this work for treble chorus is primarily wordless, apart from the short Latin phrase "Gloria in Londinium, invictus, invicta" to symbolize the coming togethe...

Bright mixed meters, syncopation, hand claps and canonic imitation bring spirit and life to this accessible work for young and developing voices. The text from Psalm 150 is sung in accessible Hebrew a...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

This expressive anthem presents the story of the Nativity through Mary's eyes, but foreshadows the journey to the cross that is to come. It is set in a reflective minor tonality and a gently rocking 6...

Already a success with advanced high school and college choirs in its mixed and men's versions, this impressive, yet romantic piece, in a new treble chorus setting, is well-suited for festival high sc...

Blessed is he that comes in the name of the Lord. Set in an expressive 3/4 meter, the Latin text and carefully crafted vocal textures create a wonderful harmonic work. Ideal concert/festival use, it m...

Opening with a bright statement of the main theme with striking accents, dynamic contrasts and a pulsating rhythmic energy, this accessible work for treble voices transitions into a contrasting and mo...