Geistliche Noten für Chor

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing wit...

This is a beautiful and dynamic setting of well-known words from the Song of Songs (or Song of Soloman). With a soaring soprano melody, McGlade's fluid vocal lines drive harmonic twists within an imme...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

Setting words from the Ordinary of the Lutheran Mass, this brief but resoundingly effective piece is perfect for opening a choral concert. The piece begins with each part entering a 3rd lower than the...

An impressive setting of the Gradual for Maundy Thursday, dating from 1884, the period of the Seventh Symphony and the Te Deum.

My prayer is a technical 'tour de force', meticulously sculpted from the distilled essence of Purcell's original and yet always recognizably Chilcott. The music is involved, passionate, and frequently...

This expressive anthem-style setting would be the perfect choice for any dedication festival. A lilting triple time pulse and rich harmonies combine to make music of effortless beauty whilst remaining...

This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these for...

This short collection presents the complete set of meditations from Chilcott's St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal...

This uplifting anthem sets the Invocation text from Carmina Gadelica. McDowall's beautiful melodies flow and intertwine, decorated by scotch snaps that reflect the text's origin. Suitable for services...

William Romanis's hymn text is brought to life in this enchanting anthem with unexpected harmonic shifts and fluctuating time signatures. Rooney glides gracefully between tonal centres, creating abeau...

William Romanis's hymn text is brought to life in this enchanting anthem with unexpected harmonic shifts and fluctuating time signatures. Rooney glides gracefully between tonal centres, creating a bea...

My song is love unknown is an expressive and fluid setting of the well-known Lenten text by Samuel Crossman. McGlade highlights the phrase 'take frail flesh and die' with a sighing musical motif, befo...

From the collection Epiphany to All Saints for Choirs, this setting by Malcolm Archer of the familiar text by Prudentius and Caswell provides a fresh alternative version of the hymn. Scored for SATB u...

From the collection Epiphany to All Saints for Choirs, this exquisite piece of 16th century polyphony is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for reh...

Khorurd Metz is an Armenian sacred hymn, or sharakan, for the feast of the Nativity. Movses Khorenatsi, who wrote both the words and the melody, was one of the Armenia's greatest sharakan composers, a...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle...

Commissioned by Sonoro for the second instalment of their Choral Inspirations project, McDowall has composed Crucifixus Reimagined as a response to Lotti's Crucifixus from Credo in F. Use of suspensio...

One of McGlade's longer settings, As the hart begins simply, before expanding into a more complex central section with fluctuating time signatures and shifting tonalities. Ideal for advanced mixed-voi...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

A short, but eloquent setting of the eighth stanza of the hymn 'Pange lingua', and thus an effective Holy Week motet.