Geistliche Noten für Chor

All Creation Slept was written for Alastair Tighe and Eltham College and was first performed on 19 December 2012 at Southwark Cathedral, London. The text is constructed of excerpts from A Cradle Song....

The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable...

Drop, Drop, Slow Tears is a choral piece for unaccompanied SATB (Soprano/Alto/Tenor/Bass) chorus composed by Graham Ross in 2003. First performed by the Royal College of Music Junior Chamber Choir, Dr...

Laboravi In Gemitu Meo by the Renaissance English composer and one of the principle members of the Madrigal School. This work, expertly edited by Lionel Pike, is arranged for unaccompanied SSAATB Chor...

A Hymne To God My God is a composition by renowned composer Michael Ball, arranged for quadruple SATB choir as an a cappella performance. The piece is a setting of texts by English poet John Donne, an...

Commissioned by the Highland Festival, Stuart MacRae 's work Salm 42 is a Gaelic setting of Psalm 42 and was first performed on 5th June 1999 at Eden Court Theatre, Inverness by the combined Gaelic Ch...

Adam Harveys A-Cappella-Chorkomposition 'My Jesu, Sleep' über einen Text von Reverend Henry Ramsden Bramley.

This work for mixed voices was commissioned by the Allegri Singers and first performed by them in 1988. The text is by Geoffrey Hill from 'Tenebrae'.

Ronald Corp's 'Susanni' is a work scored for Unaccompanied SATB Choir, with words from the popular anonymous 15th century text 'A Little Child There Is Yborn'.

The Wings Of The Wind is a work by Owain Park for Unaccompanied SSAATTBB Choir. Composed for Stephen Layton and The Choir of Trinity College Cambridge, the work is a setting of words from the Book of...

A Penitential Responsory is a work for Unaccompanied SATB chorus by Andrew Gant. It is a setting of Psalm 51.

This setting of a 17th-century Easter carol for Unaccompanied SATB Choir is by Jamie W. Hall.

I Heard A Voice From Heaven is a work by Herbert Howells from 'Requiem', scored for Unaccompanied SATB Choir. A full performance lasts around 4 minutes.

In The Departure Of The Lord is a work by composer John Bull for Unaccompanied SATB Choir. A setting of a poem by Sir William Leighton from 'The Teares and Lamentatacions of a Sorrowful Soule', a perf...

God Be In My Head is a work by composer David Hill for Unaccompanied SATB Choir. It was first performed on the 6th of February 2016 by the Choir of St John's College, Cambridge, conducted by Andrew Ne...

And They Shall Beat Their Swords Into Ploughshares is a work by James Davy for Unaccompanied SATB Choir that sets words from Isaiah 2:4 which lasts around 1 and a half minutes.

In Monte Oliveti is a work by Anton Bruckner for Unaccompanied SATB Choir. A setting of text from the first Responsary on Maundy Thursday, a full performance lasts around 1 minute.

Tu Es Petrus' is a work by Andrew Wells for Unaccompanied SATB Choir that sets words from Matthew 16:28.

Shestopsalmiye (Verses Before The Six Psalms) is a work by Sergei Rachmaninoff for Unaccompanied SATB Choir. From the 'All-Night Vigil, ' this is the Vocal Score, featuring a pronunciation guide, and...

Richard Rodney Bennett 's Nowell, Nowell, Tidings True sets a 15th century carol that tells of the Angel Gabriel's visit to the Virgin Mary. This work is for SATB choir unaccompanied.

Bernard Hughes ' Psalm 56 for unaccompanied SATB choir. This work was the winner of the Elysian Singers Composition Competition in celebration of the choir's 30th anniversary. It was premiered on 15 O...

Dating from 2017, this jubilant piece work for unaccompanied mixed voice is the third in the set of the three Latin motets. Setting the Hymn for an Ascensiontide, the irregular rhythms match the jubil...

Commissioned by St Mark's, Hamilton Terrace. A setting of Antiphon for the feast of Corpus Christi, attributed to St Thomas Aquinas.

A setting of three verses from Psalm 96 for unaccompanied mixed voices. The work was commissioned by Tórshavnar Kamarkór (Tórshavn Chamber Choir) of Tórshavn, Faroe Islands and first performed on 1 Ju...

A vibrant setting of text from Psalms 46 and 102 scored for unaccompanied four-part mixed voices, and first performed by Norwich Cathedral Choir.