Noten für gemischten Chor

Written as a companion piece to the 40 voice Renaissance motet by Thomas Tallis Spem in Alium, this music is spatial and conceived with reverberant acoustics in mind. Each of the 3 choirs is made up o...

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Originally written for SATB a cappella, new arrangements with piano accompaniment make this wonderful new carol accessible to all choirs.

Inspired by Rachmaninoff's All-Night Vigil, Vespers is a 12-movement English-language work in the Eastern Orthodox tradition. Suited to concert and liturgical settings, it draws from several Orthodox...

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

This is an energetic setting of a medieval text, with a modal feel and lively rhythms. After opening with an unaccompanied melody sung by the sopranos, the music gradually becomes more intricate, culm...

For SSATB unaccompanied - This setting of a poem by William Blake is evocative and appealing. Jackson ingeniously offsets simple, pure harmonies against moments of chromaticism to create beautiful, fr...

This important Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with poems from other cultures and...

This unaccompanied carol is scored for four equal parts and comprises a sequence of three rounds. Rhythmic and engaging, this carol demonstrates the distinctive clarity of Skempton's musical language....

I saw three ships is a lively setting of the traditional English text for unaccompanied mixed voices. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually buil...

First performed by the choirs of St Paul's, Westminster Cathedral, and Westminster Abbey, this anthem sets a medieval English poem to contemplative music with all the hallmarks of McDowall's style: ex...

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable...

Meaning 'Souls of the Righteous', this reflective anthem is especially suitable for the Feast of All Saints but may be sung at any time of year. This piece is suitable for church and secular mixed-voi...

This haunting folk melody is brought to life in Stephen Cleobury's arrangement for unaccompanied mixed voices. Setting 'The Leaves of Life' by G. Bradley, the carol was first performed at the Service...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

Setting a text by Walter de la Mare, this tuneful, rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat, giving a modern twist to the forlorn senti...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

For SATB accompanied and unaccompanied. This anthology of ten mixed-voice anthems by Alan Bullard combines new material written specially for the collection with established favourites from the Oxford...

Commissioned by King's College, Cambridge for the 2009 Festival of Nine Lessons and Carols, this beautiful carol sets a well-loved text by G. K. Chesterton. It would make an ideal introduction to Jack...

SATB & piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of majo...

SSATB unaccompanied This is an innovative yet accessible setting of the well-known Vespers hymn. A meditative rendering of the familiar plainchant is nestled within a lyrical setting of a verse from J...

As Joseph was a-walking is a beautifully serene and atmospheric setting of traditional words on the prophecy of Christ's birth as told to Joseph by an angel. With rich harmonies, striking chromatic mo...

This serene and reflective setting of the Magnificat and Nunc Dimittis was commissioned to mark the 300th anniversary of the death of Thomas Ken, Bishop of Bath and Wells. With expansive harmonies and...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...