Noten für gemischten Chor

This attractive motet was written for performance alongside Brahms's Requiem. The gracefully sculpted music clothes the text with touching melodies, expressive harmonies and varied sonorities.

This setting of Orlando Gibbons and Catullus is a re-working of Gibbons's celebrated 17th-century madrigal (of the same title) for five voices. It retains the lilting depiction of the swan and the ori...

For CCBar unaccompanied. This title features the celebrated spirituals 'Steal away' and 'My Lord, what a morning!'. With their repeating choruses and verses, the arrangements are quick to learn yet ef...

for SATB unaccompanied

This compact anthem for unaccompanied choir is the result of another successful collaboration between Bob Chilcott and the poet Charles Bennett. Well-crafted and tender melodic lines are shared betwee...

This optimistic and affirmatory anthem sets a useful service text of general thanksgiving from the Book of Common Prayer. Chilcott makes full use of the imitation and antiphonal effects that these for...

Alan Smith's setting of the Latin hymn at Lauds for The Feast of Transfiguration is stately and solemn. Featuring imitative entries that open out into rich, expansive textures at climactic moments, th...

In this short introit Bednall sets the 'In manus tuas' responsary for the Compline service. A setting of a useful text for church or cathedral services, the anthem is appropriately serene and luminisc...

David Bednall's unaccompanied setting of this Compline hymn contrasts sections of chant, for tenor soloist, with rich responses for full SATB choir. The introit has a gentle sense of ebb and flow, com...

Like as the hart sets reflective yet fervent words from Psalm 42. The vocal writing is emotive and expressive, and the fluctuating metres perfectly complement the rhythm adopted by the psalmist when p...

'God of creation' sets an English translation of a Latin hymn attributed to St Ambrose. Smith employs a mixture of homophony and independent part-writing, along with a range of dynamic effects, to cre...

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This piece sets a joyful text celebrating the beauty found all around us. Characterized by tight harmonies and a dynamic hand drum line, the buoyant 7/8 metre drives the piece forward. Lush harmonies...

This piece sets a poem by Amy Lowell, vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this b...

This gentle anthem is built around a warm, hymn-like refrain, which gives way first to a free-flowing and expressive section and then to a more sombre section. With a Latin text from Ruth 1, this affe...

This arrangement of the popular American folksong is atmospheric and expressive, with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoa...

Setting a well-known Latin text, Miller mixes expressive harmony and flowing polyphony to create a touching anthem. The opening and closing sections develop the chant-like opening motif, enclosing a j...

This powerful work is a sequence of meditations on loss, longing, fear, and hope. The text is in Latvian and English - a pronunciation guide for the Latvian text is included in the vocal score. Jackso...

This lucidly reflective miniature sets an evocative text by Lucia Quinault that depicts a rural winter scene. There is a sense of waiting for the 'shining star' and, while it would make a beautiful ad...

Following Jackson's settings of the seven 'O' antiphons (Seven Advent Antiphons), this is a setting of the text recognised as the eighth 'O' antiphon and performed as such in many Christian traditions...

McGrath's setting of this well-known fourteenth-century macaronic text is expressive and rich. The melodies have a chant-like quality and the metrical changes create a compelling ebb and flow. This ca...

This anthem sets biblical words that explore love and kindness. The opening section creates a mood of hopefulness, and the central section is built around the words 'Be kind, tender-hearted, one to an...

A group of three miniatures for unaccompanied mixed voices, Some corner of a foreign field sets poems by three First World War soldiers: John William Streets, Goldfeld, and Rupert Brooke. Bednall's se...

This exquisite miniature combines old and new, with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. It was recorded by The Epiphoni Consort on David Be...

This gentle, lilting anthem sets verses from the psalms that speak of devotion to and delight in the Lord. Bednall's sophisticated and appealing musical language gives colour and expression to the tex...