Ensembles

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by A...

Flautino, 2 Vl, Va, Vc/Cb, Cemb, Bc

Dieses ist das bekannteste der drei Concerti per Flautino und eines der beiden in C-Dur, in den Werkverzeichnissen geführt als RV 443, PV 79, Rinaldi op. 44 No. 11, F. VI, 4. Mit dieser Neuerscheinung...

Dieses ist das bekannteste der drei Concerti per Flautino und eines der beiden in C-Dur, in den Werkverzeichnissen geführt als RV 443, PV 79, Rinaldi op. 44 No. 11, F. VI, 4. Mit dieser Neuerscheinung...

Mit 'Dixit Dominus' [Ps 109 [110]] und 'Beatus vir' [Ps 111 [112]] liegen zwei der bedeutendsten doppelchörigen Kirchenkompositionen Vivaldis in kritischen Neuausgaben vor. Mit der vokal-instrumentale...

Die hier im Erstdruck vorgelegte Komposition des 121. Vulgata-Psalms, der in der römischen Liturgie vor dem II. Vaticanum Bestandtteil der Vesper am Festtag einer Jungfrau, namentlich der Jungfrau Mar...

Ausgabe für 2 Hörner, Violoncello und Klavier (kein Aufführungsmaterial)

For Flute, Mime, 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977.

For Tuba, 3 Mimes, Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival, Rotterdam, Holland, 1979.

For Flute, Tuba, Props and Stereo Tape. Published in 1979. First performed by Kathryn Lucas and Melvyn Poore, ICA, London, 1979.

For 4 amplified voices and quad tape.

For 4 amplified voices and stereo tape. First published in 1984. First performed at the Electric Phoenix at the Paris Biennale, La Villette, 1984.

For 4 amplified voices and quad click-track tape. First published in 1985. Commissioned by Sound Art at Mobius, and first performed by Electric Phoenix, Mobius Gallery, Boston, USA, 1985.

For amplified voices and quad or stereo tape. FIrst published in 1988. First performed by Electric Phoenix, at the Huddersfield Contemporary Musci Festival, 1988.

For 4 amplified voices and tape. First published in 1989. First performed by Electric Phoenix at the BBC Prom, Kensington Town Hall, 1989.

A fleeting opera, in association with Max Couper. For STB, Trumpet, Violin and Contrabass. First performance by the members of the Royal Opera House and Royal Ballet on 2 moving barges on the River...