Ensembles

Für Trompeten, Pauken und Orgel. Partitur mit Stimmen

Soli TTB, Vl, Vne, 3 Vga, Bc

Das Trio ' courbes ' - séquences entstand 1992-93 im Auftrag des Sabeth Trio Basel. Es dauert ca. 12 Minuten und möchte dem Gerücht widersprechen, die Besetzung Flöte-Bratsche-Harfe sei eine klassisch...

Va, Elektronik

Bass-Fl, Elektronik, Szene

Frauenstimme, Vc solo, Eh, Pfte

the one - Va, Fl (auch Alt-Fl, Picc), Elektronik

Die Komposition der ersten Version (Nr. 1 ' the one '), die erste Arbeit, die von Anfang an als Teil einer Choreographie von tHEL danse (Gabriel Hernández) bestimmt ist, entsteht aus seinem eigenen '2...

Seit Jahren sind die Texte der französischen Autorin Anne-Marie Albiach Ausgangspunkt meiner Arbeiten. Nach dem Violakonzert ?½ monstrueuse vécut dans le cadre ?? la mémoire, das auf dem Text ?½ H II...

Arthur Bliss's first orchestral compositions, his studies for Full Orchestra, are believed to have been composed in 1920. The first performance in 1921 was conducted by Arthur Bliss. Orchestration: 2...

Trei II is based on an earlier piece for solo voice which dealt with the phenomena of the 'triplication', of a person ('Trei' means three in old French), and the psychological inability to express one...

A 'trace' is the visible sign that remains of an object now absent, but which was present. The 'écart' (gap) could be seen as the time difference between the first supposed experience of this object a...

I have always felt attracted to dance and often thought I would like to write music for a ballet. By that I mean music specially composed for dance, music that would be written, if possible, in collab...

In their diversity, the first three pieces on this programme, written between 1989 and 1996, display many similarities and qualities that can, moreover, be spotted in Michael Jarrell's work. The attra...

pour violoncelle et 4 groupes instrumentaux

Articulated in four sections, characterized by a long upbeat and a short downbeat for the first two, by an essay into the static, the memory of vestige of movement for the last two, this work recaptur...

In the earliest French poetry there is no rhyme, only assonance. There is assonance between two lines when the last stressed vowel is the same. It is immaterial whether the phenomenes or sounds immedi...