Adam Trendler

This is a remarkable chart that features tenor saxophone throughout. There are also extra parts provided to allow for featured alto saxophone throughout. It opens with a slow statement of this classic...

As recorded by Stan Kenton & His Orchestra on the '7.5 On The Richter Scale' album, this all time great standard receives a fresh sound with the impeccable scoring talent of Marty Paich. This arrangem...

This is the bass trombone solo, as recorded (The Kenton Era) by George Roberts with the Stan Kenton Orchestra. Folks have been waiting for this one for a long time. Johnny Richards sets this wonderful...

One of the things Johnny Richards did best was write gorgeous melodies (many just think of him as bombastic and obsessed with odd-meter things). This is one of those melodies, as recorded on the Back...

An arrangement by Philip Lane for unaccompanied upper voice choir (SSA) of Tchaikovsky's "Legend". Duration 2½ minutes

Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery...

Recorded by a vast number of major artists, this standard is irresistible in its appeal! In this arrangement, the lyrics take on an important role in shaping the style, as the vocals evoke the imagery...

Tchaikovsky's 'Dance of the Sugar Plum Fairies, Waltz of the Flowers' and 'March' are set vocally a cappella. Re-harmonized and simplified slightly to be fresh and accessible, this is a fantastic sele...

This humorous a cappella work is a reduction of the original orchestral work from The Nutcracker Suite. Michele Weir is known for her vocal jazz arrangements, but this choral is a departure from the f...

This humorous a cappella work is a reduction of the original orchestral work from The Nutcracker Suite. Michele Weir is known for her vocal jazz arrangements, but this choral is a departure from the f...

SATB choirs, accompanied only by an optional snare-drum, will love singing this clever a cappella arrangement from Tchaikovsky's famous ballet. Easy to prepare with equal doses of unison singing, unco...

SATB choirs, accompanied only by an optional snare-drum, will love singing this clever a cappella arrangement from Tchaikovsky's famous ballet. Easy to prepare with equal doses of unison singing, unco...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

Sung entirely on 'fa-la-la' and 'plum,' this novelty piece successfully transforms Tchaikovsky's orchestration into a light and lively a cappella choral. A jovial choice for holiday performances, Jeff...

This a cappella edition is based on Tchaikovsky's arrangement of a song composed by 18th century Russian composer, Dmitry Bortnyansky. Bortnyansky's polyphonic style (developed during an extended stay...

This a cappella edition is based on Tchaikovsky's arrangement of a song composed by 18th century Russian composer, Dmitry Bortnyansky. Bortnyansky's polyphonic style (developed during an extended stay...

Alfred Choral is pleased to welcome Paris Rutherford to our list of vocal jazz arrangers with this captivating a cappella arrangement. The sublime lyrics and charming harmonies will enchant any choir.

Bring a touch of the Nutcracker to your next holiday concert with this classy bit of humor. Much of Tchaikovsky's original material is used in this a cappella setting.

Legend, Op. 54, No. 5 (also known as The Crown of Roses in some English-language sources) composition originally written in 1883 as a song for solo voice and piano. It was subsequently arranged by Tch...

Legend, Op. 54, No. 5 (also known as The Crown of Roses in some English-language sources) composition originally written in 1883 as a song for solo voice and piano. It was subsequently arranged by Tch...