Camille Saint-Saëns

Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) an...

Le Cygne stammt aus dem Zyklus "Le Carnaval des animaux", in dem 14 kleine Werke für verschiedene Besetzungen zusammengefasst wurden. Die Originalbesetzung des Stücks war Violoncello und zwei Klaviere...

Bringen Sie die tiefen Stimmen ins Rampenlicht! In dieser Bearbeitung von Saint-Saens' 'Karneval der Tiere' hat Matt Conaway ein leicht zugängliches und zuhörerfreundliches Arrangement geschaffen, das...

Dieses Meisterwerk der klassischen Literatur lässt sich unter den fachkundigen Händen von Jay Bocook wunderbar für Blasorchester adaptieren. Die Holz- und Blechbläser teilen sich das Rampenlicht bei I...

Über diese gut gemachte und leicht zugängliche Bearbeitung des Klassikers Karneval der Tiere von Camille Saint-SaÙns werden sich sicherlich nicht nur Dirigenten von Jugendblasorchestern freuen. James...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

After the Armistice of Versailles was signed on 28 January 1871, the Paris Commune assumed power in Paris on 18 March. Fearing for his safety, Camille Saint-Saëns fled to exile in London. Under these...

After the Armistice of Versailles was signed on 28 January 1871, the Paris Commune assumed power in Paris on 18 March. Fearing for his safety, Camille Saint-Saëns fled to exile in London. Under these...

Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confus...

Ascanio' is a grand opera composed by Camille Saint-Saëns during 1887-1888. The opera's French libretto is based on the 1852 play 'Benvenuto Cellini'. The name was changed to 'Ascanio' to avoid confus...

The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...

The highlights of Saint-SaÙns oeuvre are the Organ Symphony (1866) and the opera Samson et Dalila (1877). With its familiar story and many stretches of vigorous and appealing music Samson et Dalila ha...

One finds in Saint-SaÙns' Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...

One finds in Saint-Saëns" Romance for Horn and Orchestra Opus 36 (1874) characteristics that have come to be considered typically French: elegant line and proportions scored with the utmost clarity. I...