Graeme Thomson

James Weeks ' Come Away for Soprano, Violin, Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano, Sophie Appleton Violin, Ken Ich...

James Weeks ' Come Away for Soprano, Violin, Cello and Piano. 4 x performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano, Sophie Appleton Violin, Ken...

James Weeks ' The Nunhead Harmony for Clarinet in Bb, Violin, Viola and Double Bass. Score. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them at King's P...

James Weeks ' The Nunhead Harmony for Clarinet in Bb, Violin, Viola and Double Bass. Score and parts. The Nunhead Harmony was commissioned by Ensemble Scratch the Surface and first performed by them a...

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Score. This is one movement from Schilderkonst, which was compo...

James Weeks ' Saerendam for Chamber Ensemble (2 Alto Flutes, Oboe d'amore, 2 Clarinets (in A), Vibraphone, Guitar, Organ accompaniment). Parts. This is one movement from Schilderkonst, which was compo...

James Weeks ' New Day for Piano and ensemble (open instrumentation, 10-15 players). Composed 2006. Revised and published 2014. Duration: 10'. First performed by participants of the CoMA Summer School...

James Weeks ' Olympic Frieze for any number of pitched instruments (minimum 12). Composed and published 2014. Variable duration. First performed by participants at CoMA Summer School, High Melton, Don...

For two Alto Flutes, Bass Flute, Violin, Viola, Cello. Composed and published 2015. Walled Garden, for String and Flute trios, is a set of three pieces designed to be interleaved with Mala punica, a s...

For Soprano and Two Clarinets. Published in 1982. First performed by Diana Crockford, Helmsley Festival, July 1983. Score and Parts.

Cantata for Soprano and Ensemble (Flute, Clarinet, Violin, Viola, and Cello). Published in 1990. Commissioned by Gemini. First performed at Huddersfield Festival, November 1991. Score.

For Soprano and Recorder. Published in 1992. Commissioned by Tracey Shawell and John Turner. First performed at the Whitworth Gallery, Manchester, February 1993. Score and Part.

For Piano solo, Flute(+Alto Flute), Clarinet, Viola, Cello, and Chinese Bell. Published 1978. Commissioned by Gemini. First performance by Ronald Lumsden and Gemini, conductor Peter Wiegold, Bristo...

For Flute, Clarinet, Percussion, Viola, and Cello. Published in 1969. Commissioned by Pierrot Players. First performed by Pierrot Players, conducted by Harrison Birtwistle, London 1969. Score.

For Flute, Clarinet, Percussion, Viola, and Cello. Published 1969. Commissioned by Pierrot Players. First performance: Pierrot Players, conductor Harrison Birtwistle, London 1969. Parts.

For Flute, Tenor Trombone (or Horn), Cello, 2 Percussonists, and 2 Pianists. Published in 1986. Commissioned by Flederman, and first performed in Sydney, 1986. Score.

For Flute, Clarinet, Percussion, Mandolin, Guitar, Violin, and Double Bass. Published 1988. Commissioned by Elision. First performance: Melbourne 1988. Score.

For Violin, Cello, Piano, Tape and Live Electronics. Published in 1972. Commissioned by Cheltenham Festival. First performed by the Orion Trio with the composer, Cheltenham, 1972. Score.

For Flute, Clarinet, Violin, Viola, Cello, and Piano. Commissioned by the Australia Ensemble. First performance: Sydney, June 1985.

For eleven instruments. 1. 1. 1. 0 / 0. 1. 0. 1 / pf. vib / 1. 0. 1. 1. 1 Published in 1994. Commissioned by Sydney Alpha. First performed in Sydney, September 1994. Score.

For Clarinet and Soprano voice. Published in 1990. Score and Part.

Mala punica by James Weeks was commissioned by the New London Chamber Choir and Spitalfields Music, and first performed by the New London Chamber Choir and the London Sinfonietta, conducted by the com...

Orlando Tenebrae by James Weeks includes: Latin motets/texts by Adonis (from 'The Desert'), 'Love' by Visar Zhiti, 'The True Prison' (by permission of Ayebia Publishing Ltd), 'The Agreement' by Dinyar...

Radical Road has been expertly composed by James Weeks for 30 singers or more with stones.