Graeme Thomson

For 8 part chamber choir. Published in 1985. Text from a Scottish Border Ballad. Commissioned by The Song Company. First performance with conductor Charles Colman, Sydney 1985. Conducting Score.

Text from a Scottish Border Ballad.

James Weeks ' Digger for solo Guitar. This work is dedicated to John Habron and Bethan James on the occasion of their wedding, 27 March 2010. It was commissioned and first performed by Stephen Chase,...

For Piano. Published in 1980. First performed by Peter Lawson, Manchester 1981. Score.

For Piano. Published in 1974. First performed by Ronald Lumsden, Reading, 1978. Score.

Published in 1994 and commissioned by Tall Poppies. First performed by Ian Munro. Pieces 1 and 5 are also featured in the Pianthology collection. For Solo Piano.

James Weeks ' Two Perscriptions for Piano. I - Gloomy Clouds (2002/4) II - Ring (2002/3) ' Perscription is 'writing-through' (reading done with the pen). Gloomy Clouds dissolves the notes of Liszt's N...

James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by BashÅ. Matsushima is a an archipelago of some 800 islands in an...

James Weeks ' Duinland for solo Piano with optional Vibraphone.

James Weeks ' Siciliano for solo Piano. This piece was first performed by Weeks at the University of Sussex in May 2004.

Falls House Press makes available a critically overlooked work by an equally eligible 19th century composer, Gaspard Kummer. In Richard Rockstro's The Flute (1890), Rockstro says of Kummer: 'I know of...

Diane, written by Erno Rapee, as performed by Jack Teagarden, arranged for trombone solo with the main melody line included.

King Porter Stomp, written by Jelly Roll Morton, as performed by Jack Teagarden, arranged for trombone solo.

Rose Of Washington Square, written by James Hanley, as performed by Jack Teagarden, arranged for trombone solo with the main melody line included.

Your singers will have fun with this novelty song from the 1940's and develop their vocal jazz chops at the same time! Opening in a happy-go-lucky 6/8, it sounds like an Italian street song full of no...

Your singers will have fun with this novelty song from the 1940's and develop their vocal jazz chops at the same time! Opening in a happy-go-lucky 6/8, it sounds like an Italian street song full of no...

Your singers will have fun with this novelty song from the 1940's and develop their vocal jazz chops at the same time! Opening in a happy-go-lucky 6/8, it sounds like an Italian street song full of no...