Hilarion Alfeyev

Die für Doppelchor geschriebene Komposition Stabat Mater von Orlando di Lasso (1532-1594) ist eine der späteren Lasso-Motetten und dürfte am Anfang der achtziger Jahre des 16. Jahrhunderts entstanden...

Lasso, Orlando di (1532 - 1594)

This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

Orlando di Lasso was a Franco-Flemish composer of the late Renaissance known for his mature polyphonic style. Equally adept in many languages and both sacred and secular forms, his compositions remain...

This playful French chanson by di Lasso is delightful! Easily learned and effective in performance! Also includes an English text. Performance Time: Approx. 1:00

Prolific composer Orlando di Lasso's madrigal is carefully arranged for SATB voices with a fresh harmonic treatment. Understated in its approach, the arrangement is relaxed and maintains the beauty of...

For Mixed Voice Choir (SATB) A Cappella.

For SATB Choir A Cappella.

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Although this work is sometimes referred to as a madrigal, it's really in the French chanson style: a polyphonic song popular in the fifteenth and sixteenth centuries. The subject, typical of a chanso...

Orlando di Lasso ist einer der universellsten und fruchtbarsten Komponisten des 16. Jahrhunderts, der in allen Stilen und Genres seiner Zeit zuhause war. Zu den populärsten Stücken in seinem Schaffen...

Seit Urzeiten stehen sich Tag und Nacht als Gegensatzpaar gegenüber. Für unsere Augen scheinen sie sich im Zeitenverlauf abzuwechseln und doch ist der eine von beiden stets im anderen gegenwärtig. In...

This outstanding piece edited by David Randolph is designed to expose students to choral works from the 16th century; includes both French and English texts.