Imant Raminsh

A cheeky arrangement of an original song by Anders Edenroth and Emma Nilsdotter from The Real Group. A great chance to tell those past loves that 'I'm better off without you!'

Vier lateinische Motetten für gem. Chor a cappella; Gesamtdauer 8 min; auch als Einzeldrucke erhältlich

SAATB a cappella (Swing) {20./21. Jahrhundert}

Originally sung by Nat King Cole, the song has been done in numerous versions since then. This score is inspired by the violin solo in the original recording as well as by Jewish folk music.

Nordic Polska is a combination of traditional Swedish and Finnish folksongs arranged for performance by LEVELELEVEN, a combination of The Real Group and Rajaton. Using scatting and nonsense syllables,...

For TBB and optional SA a cappella This piece features a showy men's trio, backed by the girls. It's a 'tongue-in-cheek' piece on the meaning of being 'a modern man'. Fine selection for festival and c...

From the Scottish Folksong Suite, this a cappella ballad makes a stunning feature for male chorus. Available for TTBB. Performance Time: Approx. 2:15.

Johann Michael Haydn wurde mit Dekret des Fürsterzbischofs Hieronymus Colloredo vorn 30.5. 1782 zum Hof- und Domorganisten in Salzburg berufen. In diesem Schreiben wird ausdrücklich festgestellt, dass...

This delightful pairing of two classic songs encourages singers and listeners to look beyond differences and difficulties to recognize the joys of life. An excellent showcase for young choirs and fest...

This delightful pairing of two classic songs encourages singers and listeners to look beyond differences and difficulties to recognize the joys of life. An excellent showcase for young choirs and fest...

With a text based on Psalm 147, this delightful work for treble choir is composed in a neoclassical style with dancing imitative melodies and contrapuntal lines. The contrasting B section is legato an...

With a text based on Psalm 147, this delightful work for treble choir is composed in a neoclassical style with dancing imitative melodies and contrapuntal lines. The contrasting B section is legato an...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very sim...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The divisi in the melody lines are either in octaves or very sim...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are enti...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice and descant voice, while really cool, are enti...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Dire...

As with most of the other Solfege Suite selections, this piece can be sung entirely in unison by following the melody voice throughout. The harmony voice, while really cool, is entirely optional. Dire...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

Commissioned for the Northwest Division ACDA Youth Honor Choir, Ken Berg has merged two favorite spirituals about hands: He's Got the Whole World in His Hands and The Lord Has Got His Hands on Me. Thi...

A joyous, fun choral fanfare perfect as a concert opener or finale. With challenging 5/4 sections adding excitement and interest, it may be performed as written or by unison voices. Duration: ca. 3:15...

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30

Written for the 2004 Georgia Sixth Grade honor choir, this gently rocking 6/8 setting is supported by a beatiful harp-like accompaniment. Performance Time: Approx. 2:30