Leon Katz

László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I ad...

Vorwort: Die Gestaltung von Trauerfeiern und Beisetzungen ist in den vergangenen Jahren zu einer Herausforderung geworden. Die "Corona-Pandemie", der personelle Rückgang bei den Chören und die vielfäl...

The concerto was inspired by István Várdai's play and is dedicated to him. The triple movement structure and the character of the movements follow the patterns of classical concertos, while the themat...

László Dubrovay wrote the following about Liszt and the piece now being published: Liszt was for me the most important composer in my youth, and as a pianist I played a great number of his works. I ad...

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional...

A complete guide for all who want to make more effective use of their voice. The goal of voice work, Linda Gates explains in Voice for Performance, is to reveal the mind and soul of the character thro...

This contemporary setting of lyrics from an ancient medieval hymn create an uplifting and joyful showcase for treble voices. An excellent choice for contest, festival and sacred concerts!

Poem by Hannah Szenesh. For SSATB, rehearsal keyboard.

This is a beautiful arrangement for mixed voices with keyboard, flute, and clarinet with text by Fanny Crosby.

To the Jackson Women's Chorale, Jackson Middle School, San Antonio, Texas. Versions for SA and SSA available from the publisher. Text by Edna St. Vincent Millay.

This contemporary setting of lyrics from an ancient medieval hymn create an uplifting and joyful showcase for treble voices. An excellent choice for contest, festival and sacred concerts!