Martin Zenck

It is recommended that 32 copies of the performance score are purchased for a performance, for the producer, conductor, continuo player, Venus, Adonis, Cupid, Little Cupids (x 6) and the Chorus (x20)....

Set of Instrumental Parts (4 x Violin 1/Recorder 1; 4 x Violin 2/Recorder 2; 2 x Viola; 2 x Instrumental Bass)

It is recommended that 32 copies of the performance score are purchased for a performance, for the producer, conductor, continuo player, Venus, Adonis, Cupid, Little Cupids (x 6) and the Chorus (x20)....

Set of Instrumental Parts (4 x Violin 1/Recorder 1; 4 x Violin 2/Recorder 2; 2 x Viola; 2 x Instrumental Bass)

John Blow: Mark how the lark and linnet sing, for two countertenors, two recorders and continuo Henry Hall: Yes my Aminta, 'tis too true, for soprano and bass voices, two recorders and continuo. The s...

Umarbeitung einer Adventskantate aus dem Jahr 1716 [BWV 70a; heute verschollen]

Zur Zeit, als Gervais seine 'Grand Motet Miserere' komponierte, nahm er als einer der Leiter der königlichen Kapelle am Hofe Königs Ludwigs XV. eine der wichtigsten Positionen im französischen Musikle...

Die Kantate 'Christ lag in Todesbanden' gehört zu den frühesten Vokalkompositionen, die von Bach erhalten sind. Der Text beruht auf dem gleichnamigen Osterchoral von Martin Luther.

Entstehung in der späteren Schaffenszeit um 1740

For Flute, Mime, 6 Suitcases and 6 Cassette Tape Recorders. First performed at the University of York in 1977.

For Tuba, 3 Mimes, Props and Stereo Tape. First published in 1978. First performed by Melvyn Poore at the Gaudeamus Festival, Rotterdam, Holland, 1979.

For Flute, Tuba, Props and Stereo Tape. Published in 1979. First performed by Kathryn Lucas and Melvyn Poore, ICA, London, 1979.

For 4 amplified voices and quad tape.

For 4 amplified voices and stereo tape. First published in 1984. First performed at the Electric Phoenix at the Paris Biennale, La Villette, 1984.