Monika Mertl

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

Although it is in the key of A minor, this piece has a joyful, optimistic feel. The first violins and celli need to have good technique and, whilst the inner parts are not difficult, the intonation ne...

The Requiem Mass in D Minor (K. 626) by Wolfgang Amadeus Mozart was left unfinished upon his death in 1791. He composed only the first eight bars of the 'Lacrymosa' movement, which was completed later...

Coleridge-Taylor schrieb sein Nonet 1894, als er noch ein Teenager am Royal College of Music war. Bei der Uraufführung im selben Jahr lobte die Musical Times das "frische und kraftvolle" melodische Ma...

The Nighthawk of Golden Bell wurde anlässlich des 30-jährigen Bestehens des Camp Con Brio (ehemals Colorado ASTA String Camp) in Auftrag gegeben, das der Komponist 1995 gründete. Das Camp findet derze...

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

Thoughtfully simplified and beautifully arranged for youngsters. Both elementary and beginning high school will love it. Three to four parts.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

The title says it all. This is a waltz, with the first, second and third parts played in a round or canon. Therefore the parts can be taught simultaneously. Very pretty melody and easy to play.

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece is a fun exercise in counting notes and, just as importantly, counting rests. The players have to listen carefully, and never stop counting the beat. The notes are very simple, based on the...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

This piece contains excellent lessons in baroque articulation and bowing styles. Be sure to instruct your ensemble to play detached sixteenth notes and short martelé quarter notes. The first violin pa...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

Get ready to clap and stomp with this lively country-style barn dance. Bow divisions are important here, with string crossings and semiquaver passages guaranteed to keep everyone busy. Block pizzicato...

This piece commences with a slow introduction in triple time. Its rich harmonies lead to a feeling of expectation, before heralding the Allegro, with an alternating 6/8-3/4 time signature. Students ar...

For my Loreta's mother, Patricia Fin, who is a big fan of Beethoven's music. This arrangement is designed for ensembles which are ready to address concepts of style in their performances. In the openi...