Noten von Robert Schumann

Set to text by John Drinkwater, this work is deceptively simple, making use of repetition and carefully placed harmonies which shift subtly to match the text. A beautiful and unusual setting which wou...

Commissioned by the Atopos Fondazione in Italy, this piece was premiered by John Tilbury on 10 June 2008. A homage to Morton Feldman and a companion piece to his Triadic Memories, Skempton's Notti ste...

This is the first of two books of preludes and fugues for solo organ by Howard Skempton. Each book comprises 25 pairs of preludes and fugues based around the 24 major and minor keys with an additional...

This is the second of two books of preludes and fugues for solo organ by Howard Skempton. Each book comprises 25 pairs of preludes and fugues based around the 24 major and minor keys with an additiona...

This short meditative work for piano is composed in Skempton's typical minimalist style. The piece has been recorded by its dedicatee, William Howard, and is included on an album entitled Sixteen Noct...

Suitable for remembrance services, Ramsey's six-voiced setting of 'How are the mighty fall'n' is one of the finest sacred madrigals of the early 17th century, alongside works such as settings of 'When...

This important contemporary Requiem demonstrates Gabriel Jackson's gift for writing mesmerising choral music on a large scale. Combining sections of the traditional Requiem text with selected poems fr...

Spirited in tone, this anthem sets a text based on Psalm 148 that praises God's glory. Opening with an uplifting unison melody, the vocal parts gradually open out into jubilant harmonies, which are su...

The Unexpected Early Hour brims with energy as the vibrant melody passes between voices and the rocking crotchet-quaver movement drives the piece towards its climactic ending. Offprinted from Carols f...

This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs, this setting is both approachable and grip...

für Sopran und Flöte (2004)

Uraufführung am 23. Januar 2007 in Berlin, UltraSchall: Rita Balta (Sopran) und Uli Fussenegger (Kontrabass)

Uraufführung am 5. Oktober 2007 in Graz, Musikprotokoll beim Steirischen Herbst: Petra Hoffmann (Sopran), Aleph Gitarrenquartett

SSolo/Fl-B

Die 'Pastelle' stammen von einem der berühmtesten Komponisten Russlands. Obwohl es sich um eines der frühesten Werke Gretchaninoffs handelt, trägt diese Musik bereits die charakteristischen Züge seine...

Sopran, Violoncello und Harfe - französisch - griechisch

Sopran, Violoncello und Harfe - französisch - griechisch