The Destroyers

There is no better way to develop independent singers than with the polyphony often found in madrigals. Here are two such madrigals-- Full Fathom Five by Robert Johnson and Do You Not Know? by Thomas...

'The Marlborough Canticles' were first performed by Marlborough College Choir at St George's Chapel, Windsor in April 1996. A work that combines beautiful, lyrical melodies with gentle swaying dance r...

The Faber New Choral Works series sets out to introduce a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series aims to draw in a rich diversity of living...

Written for the St. David's Cathedral Festival, 'Jubilate Deo' (for SATB with organ accompaniment) is an appropriately exuberant and joyful setting.

A moving arrangement of Wendy Cope's poem Spared which she wrote following the events of September 11, 2001 by the talented composer Howard Goodall who himself witnessed the collapse of the towers on...

Veni, Sancte Spiritus has been commissioned by Tyim Hastie-Smith for the meeting of the Headmasters and Headmistresses' Conference in 2008. The first performance will be given by Dean Close Chamber Ch...

Duration: 45 Minutes

Unconditional Love is Howard Goodall's heartfelt cantata of remembrance and gratitude, a poignant reflection upon the Covid-19 crisis. It gives thanks to those who sacrificed their lives and seeks to...

Never To Forget is a powerfully emotive choral work written in honour of the NHS health and care workers in the UK who died caring for others during the COVID-19 pandemic. The text comprises their nam...

A River Out Of Eden is Howard Goodall's vibrant choral anthem for SATB voices and piano, composed to celebrate the service of Sid and Cindy Davis at St Luke's United Methodist Church, Houston. The mus...

By-by, Lullaby, By-by ist Howard Goodalls bezaubernde Vertonung eines englischen Wiegenliedes aus dem 16. Jahrhundert für SATB-Chor und Orgel, das von Streatham Choral in Auftrag gegeben wurde. Die Mu...

Featuring text by William Shakespeare and references to Thomas Morley's madrigal 'Now is the Month of Maying,' this playful contemporary choral celebrates young love with sparkling vocal counterpoint....

Featuring text by William Shakespeare and references to Thomas Morley's madrigal 'Now is the Month of Maying,' this playful contemporary choral celebrates young love with sparkling vocal counterpoint....

Just when you thought you knew this song, Marshall Webb took it and made it one of the most fun arrangements your group will sing. With challenging yet accessible harmonies, this short novelty piece w...

Just when you thought you knew this song, Marshall Webb took it and made it one of the most fun arrangements your group will sing. With challenging yet accessible harmonies, this short novelty piece w...

Adapted from Frederic Chopin's Prelude, Opus 28 No. 20, this unique creation makes classic piano repertoire accessible to the voices of singers for the very first time. Keeping the original melody and...

for Flute, Voice, and Piano. Amazingly fun for performers and audiences, this is an effective closer or encore work. The words are very clever and aimed at helping flutists to laugh at themselves.

Delightfully humorous, this piece gives serious flutists and flute lovers an opportunity to laugh at themselves and the many ways flutists are required to imitate birds. The words are wonderful! Instr...

This clarinet quartet has been composed in three completely different movements. That is to say, they are three different ideas, hence its name 'Trideas': Presto, Adagio, and Moderato.

Ursprünglich für fünf Stimmen komponiert, lässt sich Thomas Morleys My Bonnie Lass wunderbar auf Streichorchester übertragen, und Deborah Baker Monday fügt ihre eigene Note hinzu, indem sie die Melodi...

Ursprünglich für fünf Stimmen komponiert, lässt sich Thomas Morleys My Bonnie Lass wunderbar auf Streichorchester übertragen, und Deborah Baker Monday fügt ihre eigene Note hinzu, indem sie die Melodi...

Ursprünglich für fünf Stimmen komponiert, lässt sich Thomas Morleys My Bonnie Lass wunderbar auf Streichorchester übertragen, und Deborah Baker Monday fügt ihre eigene Note hinzu, indem sie die Melodi...